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Archive for the ‘Augury Books’ Category

 

Photo by Dave Bledsoe of FreeVerse Photography

Photo by Dave Bledsoe of FreeVerse Photography

BEAST author Frances Justine Post tells the Poetry Society of America the backstory behind “Self Portrait in the Body of a Whale.”

We walked down the beach, but didn’t see anything remotely whale-like until we came upon this sort of carpet of flesh. It was a whale carpet. The body was so broken down that all that was left was this huge, flat mass of skin, covering bones, half on the beach and half in the water. It was not as disgusting as it sounds and was, in fact, kind of beautiful. It was bleached white by the sun with darker stripes in a wave-like pattern.” 

Read the full article and poem on PSA’s site.

Buy BEAST

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Photo by Dave Bledsoe of FreeVerse Photography

Photo by Dave Bledsoe of FreeVerse Photography

 

Happy National Poetry Month! Read this wonderful MANTIC (Maureen Alsop, Augury Books, 2013) review by Grace Cavalieri in this month’s Washington Independent Review of Books.

 

Mantic by Maureen Alsop

Mantic by Maureen Alsop

“We can tell when a poem is sent out into the world scared and these poems are the opposite. They’re fearless. Alsop is like a hero who boldly moves forward and never looks back. She’s a social revolutionary using words to change our concepts of reality and the world.” —Grace Cavalieri, April 2014 Exemplars, Washington Independent Review of Books

Read the Whole Review

More on MANTIC

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You’ve seen the video trailer for “Self-Portrait as Beast,” read by author Frances Justine Post and designed by her twin sister Cecelia Post, and now you can learn about everything that went into the vision and production of the video (including details about the body suit, which has been christened “The Lady”) in this excellent interview by Erica Goss on Connotation Press, “The Third Form.”

Order BEAST here.

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Photo by Dave Bledsoe of FreeVerse Photography

Photo by Dave Bledsoe of FreeVerse Photography

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Canticle of Waitresses, Waiting

 

This is how we herded by the waitress station,

waiting, as the town, turned down to one by snow,

settled like a gown that smothered all that ailed us.

.

How we first heard about the hostages

on Facebook, and then the town knelt down to zero,

still as snow once it resolves itself to ground.

.

How the sidewalk still needed seeding with rock salt.

How even when a person stands still, they can slip.

.

How we counted the seeds of our blessings.

How our blessings rebounded off the booths like buckshot.

.

How we each sometimes rebound into being

a country of one self.

How we other times are one self of a city.

.

How only below zero can we remember

September as that country where we save daylight

like fat over our muscles.

.

How a woman ran at the chained gym doors

to save her daughter.

How she dropped on the unseeded walk.

How we’ll remember her legs as

a fleet of hummingbirds skidding through snow.

.

How sometimes, to give something a shot means kill it.

How other times it means just close your eyes.

.

First published in Iron Horse Literary Review, Labor Day Issue 2013

Saara Myrene Raappana‘s poems appear in such publications as 32 Poems, Blackbird, Cream City Review, Subtropics, The Gettysburg Review, and Verse Daily. She grew up in the Upper Peninsula of Michigan and served as a Peace Corps Volunteer in southern China. She’s an editor for Cellpoems, a poetry journal distributed via text message.

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This year’s AWP offsite reading, Augury Books and Friends in Seattle, was a resounding success. We had a wonderful night of wine, snacks, readings, and socializing at the stunning Noble Gas Neon Company venue. Thank you so much to everyone who came out to attend the reading.

Special thanks to Lia Hall and Cedar Mannan for providing the space, as well as our 12 incredible Augury and guest readers, Maureen Alsop (Mantic), Halina Duraj (The Family Cannon), Alison Espach, Lia Hall, Lauren Hunter, Cynthia Lowen, Karyna McGlynn, Patrick Moran (The Book of Lost Things), Frances Justine Post (Beast), Alicia Jo Rabins, Camille Rankine, and Diana Spechler.

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Welcoming the Crowd

Phoebe_Rusch

Phoebe Rusch Helps Augury Editor Kate Angus Set Up

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Augury and Friends Settle In

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Patrick Moran and Camille Rankine Read for Augury Books and Friends Offsite, AWP 2014

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Alison Espach Reads for Augury Books and Friends Offsite, AWP 2014

Camille

Camille Rankine Reads for Augury Books and Friends Offsite, AWP 2014

Cynthia

Cynthia Lowen Reads for Augury Books and Friends Offsite, AWP 2014

Diana2

Diana Spechler Reads for Augury Books and Friends Offsite, AWP 2014

Halina

Halina Duraj Reads for Augury Books and Friends Offsite, AWP 2014

Justine

Frances Justine Post Reads for Augury Books and Friends Offsite, AWP 2014

Karyn

Karyna McGlynn Reads for Augury Books and Friends Offsite, AWP 2014

Lauren2

Lauren Hunter Waits to Read at Augury Books and Friends Offsite, AWP 2014

Lia2

Lia Hall Reads for Augury Books and Friends Offsite, AWP 2014

Maureen

Maureen Alsop Reads for Augury Books and Friends Offsite, AWP 2014

Patrick

Patrick Moran Reads for Augury Books and Friends Offsite, AWP 2014

Alicia Jo Rabins Reads for Augury Books and Friends Offsite, AWP 2014

Alicia Jo Rabins Reads for Augury Books and Friends Offsite, AWP 2014

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We’re so excited for the upcoming Augury Books & Friends offsite AWP reading/shindig in Seattle. We have a great list of readers (see below), each of whom will read briefly and then we will make new friends and maybe even fall in love during the post-reading mingling. The reading will be at Noble Neon, 3130 Airport Way S this Friday, February 28th from 7:30 until we all feel like going back to our hotels.  If you’ll be in Seattle, please join us!

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Photo by Dave Bledsoe of FreeVerse Photography

Our readers (in alphabetical order) will be:

Maureen Alsop, author of MANTIC (Augury Books, 2012), has new poems appearing at Watershed Review, Citron Review and ditch.

Halina Duraj‘s stories have appeared in The Sun, The Harvard Review, FictionWitness, and other journals. She has an MA in creative writing from the University of California, Davis, and a PhD in literature and creative writing from the University of Utah. In 2012, she was a writer-in-residence at Hedgebrook, a women’s writing retreat on Whidbey Island, WA. She teaches at the University of San Diego, where she also directs the Lindsay J. Cropper Center for Creative Writing. She is the author of THE FAMILY CANNON (Augury Books, 2014), now available.

Alison Espach is the author of The Adults, a New York Times Editor’s Choice, a Wall Street Journal Top 10 Novel of the Year, and a “Barnes and Nobel Discover Great Writers” pick. Her other writing can be found in McSweeney’s, Five Chapters, Salon, The Daily Beast, Glamour, Writer’s Digest and other journals. Her short story “Someone’s Uncle” is available as an e-book through Scribner.

Lia Hall writes in neon. She co-founded Noble Neon illuminating words and shapes with noble gases. She teaches yoga and lives in the Old Rainier Brewery in Seattle. She received her MFA in Poetry at the New School in 2009.

Lauren Hunter is from North Carolina and lives in Brooklyn. She received her MFA in poetry from The New School and works with the team at Telephone Books as their Managing Editor. Lauren is the co-founder/curator of the Electric Pumas, a reading series/revolution in New York City. Her chapbook, My Own Fires, was released by Brothel Books in 2011.

Cynthia Lowen is an award-winning filmmaker, writer, and poet, and author of The Cloud That Contained the Lightning, winner of the 2012 National Poetry Series selected by Nikky Finney. Cynthia is the recipient of the 2013 Women Authoring Change Fellowship from William Morris Entertainment, the DuPont-Columbia University Awards for Excellence in Journalism, and the Discovery/Boston Review Poetry Prize, as well as residencies to The Fine Arts Work Center in Provincetown, Hedgebrook, and Yaddo, among others. Cynthia is also the producer and writer of BULLY, a feature documentary film following five kids and families through “a year in the life” of America’s bullying crisis, which was released in theaters worldwide by The Weinstein Company. She lives in New York City.

Karyna McGlynn is the author of I Have to Go Back to 1994 and Kill a Girl, winner of the Kathryn A. Morton Prize from Sarabande Books, as well as two chapbooks. Her poems have recently appeared in Ploughshares, The Literary Review, Seattle Review, West Branch, Subtropics, and The Academy of American Poet’s Poem-A-Day. Karyna received her MFA from the University of Michigan, and is currently a PhD candidate in Literature & Creative Writing at the University of Houston. She is the Managing Editor of Gulf Coast and coordinator for the Houston Indie Book Fest and Gulf Coast Reading Series.

Patrick Moran is a 1995 graduate of the Iowa Writer’s Workshop. He is the author of four books of poetry, Tell A Pitiful Story, (MWPH, 2011), Doppelgangster (Main Street Rag Press, 2012), THE BOOK OF LOST THINGS, (Augury Books 2012), Rumors of Organized Crime, Poems & Plays’ 2013 Tennessee Chapbook Prize winner. He is also the author of “The Ampersand: Casual Vortex or Engraver’s Shortcut,” which appeared in the 2013 September issue of The Writer’s Chronicle. His poems and translations have appeared in many journals including the New Republic, The Antioch Review, The Prairie Schooner, The Southern Review and The Boston Review. He is currently an associate professor of creative writing at the University of Wisconsin-Whitewater.  His lives in Fort Atkinson, WI with his wife, the painter Bethann Moran, and their three children.

Frances Justine Post is the recipient of the “Discovery” / Boston Review Poetry Prize, the Inprint Paul Verlaine Poetry Prize, and the Amy Award from Poets & Writers. Her poems have appeared in American Letters & CommentaryBoston Review, Denver QuarterlyThe Kenyon Review Online, The Massachusetts ReviewPleiadesWestern Humanities Review, and others. Originally from Sullivan’s Island, SC, she received her MFA from Columbia University and is currently earning her PhD in Creative Writing at the University of Houston, where she is poetry editor for Gulf Coast Magazine. She is the author of BEAST (Augury Books, 2014), now available.

Alicia Jo Rabins is a poet and musician currently based in Portland, OR. Her work appears in American Poetry Review, 6×6, Boston Review, Court Green, Ploughshares and The Collagist.  She tours internationally with her band, Girls in Trouble, a song cycle about the complicated lives of Biblical women, and has performed fiddle music across Central America and Kuwait. Residencies and scholarships include Bread Loaf Writers Conference, Lower Manhattan Cultural Council, and Bucknell Seminar for Younger Poets

Camille Rankine is the author of Slow Dance with Trip Wire, selected by Cornelius Eady for the Poetry Society of America’s 2010 New York Chapbook Fellowship. The recipient of a 2010 “Discovery”/Boston Review Poetry Prize, her poetry has appeared in numerous journals, including American Poet, The Baffler, Boston Review, Denver Quarterly, Indiana Review, Octopus, Paper Darts, and  Tin House. She was selected for a MacDowell Colony Fellowship in 2013, and was named an Honorary Cave Canem Fellow in 2012. She is Assistant Director of the MFA Program in Creative Writing at Manhattanville College, Editorial Director of The Manhattanville Review, and lives in New York City.

Diana Spechler is the author of the novels Who by Fire (Harper Perennial, 2008) and Skinny (Harper Perennial, 2011). Her fiction and nonfiction have appeared in the New York Times, the Wall Street Journal, Slate, Salon, O The Oprah Magazine, CNN Living, Paris Review, GQ, Esquire, Glimmer Train Stories, and Southern Review, among other publications; as well as in a number of anthologies, including, most recently, Sex Matters: The Sexuality and Society Reader (W.W. Norton, 2013) and True Tales of Lust and Love (Counterpoint/Soft Skull, 2014). She is the recipient of an MFA degree from the University of Montana, a Steinbeck Fellowship from San Jose State University, a LABA Fellowship from the 14th Street Y, residencies from the Anderson Center and Portsmouth Abbey School, and a fellowship from the Sozopol Fiction Seminars. She is also a six-time Moth StorySLAM winner whose stories have been featured on The Moth podcast and The Moth Radio Hour.

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We’re happy to continue presenting work from our readers at the upcoming Augury Books & Friends offsite AWP reading/shindig in Seattle. The reading will be at Noble Neon, 3130 Airport Way S on Friday, February 28th from 7:30 until we all feel like going back to our hotels. If you’ll be in Seattle, please join us! In the meantime, here’s a story by Diana Spechler

Diana Spechler is the author of the novels Who by Fire (Harper Perennial, 2008) and Skinny (Harper Perennial, 2011). Her fiction and nonfiction have appeared in the New York Times, the Wall Street Journal, Slate, Salon, O The Oprah Magazine, CNN Living, Paris Review, GQ, Esquire, Glimmer Train Stories, and Southern Review, among other publications; as well as in a number of anthologies, including, most recently, Sex Matters: The Sexuality and Society Reader (W.W. Norton, 2013) and True Tales of Lust and Love (Counterpoint/Soft Skull, 2014). She is the recipient of an MFA degree from the University of Montana, a Steinbeck Fellowship from San Jose State University, a LABA Fellowship from the 14th Street Y, residencies from the Anderson Center and Portsmouth Abbey School, and a fellowship from the Sozopol Fiction Seminars. She is also a six-time Moth StorySLAM winner whose stories have been featured on The Moth podcast and The Moth Radio Hour.

Read Full Post »

We are very excited to present work from our readers at next week’s Augury Books & Friends offsite AWP reading/shindig in Seattle. The reading will be at Noble Neon, 3130 Airport Way S on Friday, February 28th from 7:30 until we all feel like going back to our hotels. If you’ll be in Seattle, please join us! Afterwards we can all go dance at the VIDA party.

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This is an excerpt from Alison Espach’s “The State Of The Union, 1998″

THE STATE OF THE UNION, 1998

It is 1998, and everybody we know has moved to Florida.  Everybody we know is obsessed with their porch. The president is always on TV. He won’t leave us alone.

Our leadership in the world is unrivaled, Bill Clinton says.  Ladies and gentlemen, the state of our union is strong.

The President has bags under his eyes.

I am taking notes. Mrs. Klausterman is going to quiz us on the State of the Union first thing in social studies.  She said, “Write down anything you feel is important,” though I know from experience that everything I think is important usually turns out not to be important, so I decide to be safe and write down everything.

The President seems very tired.

But this is not a time to rest.

My brothers are playing Bloody Knuckles on the couch.  The point of the game is always to see who can stomach being the bloodiest, the longest.  Usually, nobody can.  It is the only game my brothers and I play where at some point, we all agree it’s better to lose.

My mother sips a gin and tonic, sitting Japanese-style on the floor. She looks like we do when we are watching Wheel of Fortune after dinner, noses close to the screen. She sits like this, so close to him, as though they are on a date.

It is a time to build a new America!

And find cures for diabetes.

(and AIDS!!!)

It’s no secret: my mother wants to fuck the President. These were my father’s exact words, last night, when my parents thought we had gone to sleep.

“It certainly is our business,” my mother said. “The president’s character is our business.”

“You only say that because he’s the only president you’ve ever wanted to fuck,” my father said.

I seized with panic in the stairwell. I had no idea there were people in this world who wanted to fuck the president. Fucking the President, I think, sounds like a kind of crime.  Something you should get arrested for.

Alison Espach is the author of the novel The Adults. The Adults was a Wall Street Journal Top 10 Novel of 2011, New York Times Editors’ Choice, Barnes and Noble Discover Great New Writers selection, and Chicago Tribune #1 Reader Recommendation.   Alison’s other writing has appeared in Salon, the Daily Beast, Lincoln Center Theater Review, Fiction Writer’s Review, Del Sol Review, Sentence, and others.

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We’re happy to continue presenting work from our readers at the upcoming Augury Books & Friends offsite AWP reading/shindig in Seattle. The reading will be at Noble Neon, 3130 Airport Way S on Friday, February 28th from 7:30 until we all feel like going back to our hotels. If you’ll be in Seattle, please join us!

Photo by Dave Bledsoe of FreeVerse Photography

Photo by Dave Bledsoe of FreeVerse Photography

Screen shot 2014-02-21 at 9.53.33 AM

Camille Rankine is the author of Slow Dance with Trip Wire, selected by Cornelius Eady for the Poetry Society of America’s 2010 New York Chapbook Fellowship. The recipient of a 2010 “Discovery”/Boston Review Poetry Prize, her poetry has appeared in numerous journals, including American Poet, The Baffler, Boston Review, Denver Quarterly, Indiana Review, Octopus, Paper Darts, and  Tin House. She was selected for a MacDowell Colony Fellowship in 2013, and was named an Honorary Cave Canem Fellow in 2012. She is Assistant Director of the MFA Program in Creative Writing at Manhattanville College, Editorial Director of The Manhattanville Review, and lives in New York City.

Read Full Post »

We’re happy to continue presenting work from our readers at the upcoming Augury Books & Friends offsite AWP reading/shindig in Seattle. The reading will be at Noble Neon, 3130 Airport Way S on Friday, February 28th from 7:30 until we all feel like going back to our hotels. If you’ll be in Seattle, please join us!

Photo by Dave Bledsoe of FreeVerse Photography

Photo by Dave Bledsoe of FreeVerse Photography

Shooting Script

I like to yank necklaces from women’s throats.

I am unconcerned

whether I break the clasps or the women.

A spray of pearls in the sunlight. No comment.

I smoke in the same sunlight.

Unconcerned in my underwear on an old floral chair.

My feet on the armrest. Look at me.

Little sensual snail.

Feet on the dashboard. The same sunlight.

I am a passenger in his Wagoneer

racing to a lakeside house where I will die.

In a Coeur d’Alene diner our waitress is pretty

with big breasts and black eyes.

She deserves better than this.

When she goes out by the dumpster to smoke

we kidnap her. Look at me, I say. Look.

The same sunlight on the lake house.

Grilled meat smell licking the side of the lake.

The three of us in a boat.

I am feeding the waitress slices of apple

off the side of my knife. She is wearing

my old green bikini. The boat cuts through

the no wake zone. Spray of water in the sunlight.

The droplets cling to her glasses. She doesn’t

wipe them away. She wants to tell me something.

Look, I say. We all have an imperfect past.

We swim out to the untethered raft.

He is showing off. He dives down under

the cool shadow, hides between rusted barrels.

He looks through the gray planks

into our green and cherry crotches. Sunlight.

He puts algae in his hair. He gurgles.

Look, I say. Monster. A thing goes ping, ping, ping.

His mouth. Her ear. Someone makes a wineglass sing.

I lick my thumb. I won’t stop it.

One time a body washed up in a greening slip.

It was waxen with cold and axed down

everyone’s Indian summer. True story.

You should come kiss me for telling it.

Originally published in Phoebe, Spring 2013

Karyna McGlynn is the author of I Have to Go Back to 1994 and Kill a Girl, winner of the Kathryn A. Morton Prize from Sarabande Books, as well as two chapbooks. Her poems have recently appeared in Ploughshares, The Literary Review, Seattle Review, West Branch, Subtropics, and The Academy of American Poet’s Poem-A-Day. Karyna received her MFA from the University of Michigan, and is currently a PhD candidate in Literature & Creative Writing at the University of Houston. She is the Managing Editor of Gulf Coast and coordinator for the Houston Indie Book Fest and Gulf Coast Reading Series.

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