Archive for the ‘Augury Books’ Category

London coffeehouse c. 1705 via Public Domain Review

London coffeehouse c. 1705 via Public Domain Review

After announcing our poetry selections last month, Augury is happy to reveal its selections for prose today. The editors’ reading period for prose submissions was equally intense, but also equally gratifying. To be sure, selecting one manuscript out of dozens of strong submissions never gets easier. It is with pleasure that we announce Sara Schaff’s short story collection Say Something Nice About Me as our prose selection for 2016. Below are the finalists whose work we will feature in the coming weeks:

Alley Stories—Nona Caspers

Everything Beautiful—Sarah Pape

Girl with a Goat’s Voice—Nate Liederbach

Grieving for Guava—Cecilia Fernandez

Home for Wayward Girls—Melanie Bishop

In Josaphat’s Valley—Joshua Bernstein

Mick Jagger’s Green Eyed Daughter…—Elizabeth Denton

Stick-Light—Joshua Bernstein

Swarm—Harmony Button

The Heart is a Slow Learner—Mary Larkin Phd

The World is All that Does Befall Us—Thomas Walton—Too Smart for her Own Good—Evelyn Somers

True Love and Other Dreams of…—Micah Perks

Wee Hours—Ellen Winter

Woman, Running Late, in a Dress—Dallas Woodburn

Stay tuned for excerpts from each of our fourteen finalists, as well as from Sara Schaff!

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Aimee Herman is the author of two full length books of poetry, “meant to wake up feeling” and “to go without blinking” and currently teaches writing in the Bronx. Read more words at aimeeherman.wordpress.com.

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Photo courtesy of Sofia Verzbolovskis

Photo courtesy of Sofia Verzbolovskis

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Andrew Seguin is a poet and photographer. He is the author of the chapbook Black Anecdote (Poetry Society of America, 2010), and has a new chapbook forthcoming from Tammy. His photographic work explores the intersection of imagery and language. Andrew has received fellowships from the Pennsylvania Humanities Council, Poets House and the United States Fulbright Program. You can find him on the web at www.andrewseguin.com

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There are little words
that can fit in little places
if you say them small enough.

To fit a song into a pore
you have to be prepared
for the day it will sweat.

If words could stick on people,
if spoken, they would become
a different creature.

Blinded and you’re turned
five times around. Nothing
in you knows what it knew.

It’s the best part of the game:
Prick the girls you like best
while pinning on the donkey’s tail.

Arisa White is a Cave Canem fellow, an MFA graduate from the University of Massachusetts, Amherst, and is the author of the chapbooks Disposition for Shininess and Post Pardon. With funding from the City of Oakland, Post Pardon was adapted into an opera. Her full-length collections Hurrah’s Nest and A Penny Saved were published in 2012. Her debut collection, Hurrah’s Nest, won the 2012 San Francisco Book Festival Award and was nominated for a 44th NAACP Image Award, the 82nd California Book Awards, and the 2013 Wheatley Book Awards. Member of the PlayGround writers’ pool, her play Frigidare was staged for the 15th Annual Best of PlayGround Festival. One of the founding editors of HER KIND, an online literary community powered by VIDA: Women in Literary Arts, Arisa has received residencies, fellowships, or scholarships from Headlands Center for the Arts, Port Townsend Writers’ Conference, Rose O’Neill Literary House, Squaw Valley Community of Writers, Hedgebrook, Atlantic Center for the Arts, Prague Summer Program, Fine Arts Work Center, and Bread Loaf Writers’ Conference. She is a 2013-14 recipient of an Investing in Artist Grant from the Center for Cultural Innovation, which funded the dear Gerald project, a regional representative for Nepantla: A Journal Dedicated to Queer Poets of Color, and a faculty member in the BFA Creative Writing program at Goddard College. Her poetry has been widely published and is featured on the recording WORD with the Jessica Jones Quartet. Arisa is a native New Yorker, living in Oakland, CA, with her wife, Samantha.

More on Arisa White.

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Last Wednesday, Augury Books hosted a launch party for Joe Pan’s Hiccups and Carey McHugh’s American Gramophone. The turnout at Berl’s Brooklyn Poetry Shop was great, and we are thankful to all who came. As you can see, there was barely any room left to stand!

Debora Kuan and an amazing crowd! Photo: Ian Lloyd

Debora Kuan and an amazing crowd! Photo: Ian Lloyd

Our first reader of the evening was Debbie Kuan. She shared with us a selection of her poems, telling the story of the pigeons in her building, and her perpetually blue toe. She then introduced Joe Pan, telling us she had been a fan of his since the moment they met, and how she had found out he took his last name from his wife.

Joe Pan reading from Hiccups. Photo: Ian Lloyd

Joe Pan reading from Hiccups. Photo: Ian Lloyd

Joe Pan then read to us from his new book Hiccups. He took us with him on his journey around the country and around the world, demonstrating the lighthearted wit of his poems.

Karen Russell reading her work and introducing Carey McHugh. Photo: Ian Lloyd

Karen Russell reading her essay on beepers and introducing Carey McHugh. Photo: Ian Lloyd

Following Pan was Karen Russell. She read to us from her essay Beeper World, originally published in Harper’s, a funny and poignant look at growing up in Miami in the nineties. She then introduced her dear friend Carey McHugh, saying “Each time Carey McHugh writes a poem, a Dodge in the desert bursts into flame.”

Carey McHugh reading from American Gramophone. Photo: Ian Lloyd

Carey McHugh reading from American Gramophone. Photo: Ian Lloyd

Rounding out the night was Carey McHugh, reading selections from her new book American Gramophone. We shared in her excitement as she saw her book, and we got to hear the story of the hog (not a pig!) gracing the cover, as well as her experience in Greenpoint seeing her own death.

We are very grateful to our readers Debora Kuan, Joe Pan, Karen Russell, and Carey McHugh, and to Berl’s Brooklyn Poetry Shop for hosting the event. And, most importantly, to everyone who made it out to support Joe, Carey, and Augury Books! Our extended thanks, and we look forward to seeing you all at the next one!

Photo: Ian Lloyd

Photo: Ian Lloyd

Mike Miller, cover designer of American Gramophone and Randall Horton's Hook (forthcoming!). Photo: Ian Lloyd

From left to right: Carey Wladis, Kimberly Steele, Mike Miller, cover designer of American Gramophone and Randall Horton’s Hook (forthcoming!), and Kate Angus. Photo: Ian Lloyd

Photo: Carey Wladis

Joe Pan, Debora Kuan, Kate Angus, Carey McHugh, Karen Russell, Kimberly Steele, Nicolas Amara, and Ian Lloyd. Photo: Carey Wladis

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In the Giant’s Lair (1892) by Gerhard Munthe, Wikimedia Commons

Following a plentiful reading period full of outstanding work, Augury Books is very happy to announce Arisa White‘s you’re the most beautiful thing that happened as our poetry selection for 2016. We received so many great submissions, and paring down one manuscript from our finalist pool was a difficult feat. We are glad to highlight the work of our poetry finalists here:

Architect, Garden by Andrew Seguin

brightness this by Franciszka Voeltz

I Wanted Everything by Elizabeth Whittlesey

Majnun by Mark Faunlagui

Pinocchio: The Whale Years by Patrick Moran

Schematics for Manhood & Flight by Joe Jimenez

Snow Farmer by Benjamin Gantcher

there are some things that are easier to mention by Aimee Herman

When I Was an Octopus by Gregg Murray

On behalf of the editors, we thank you all for your extended patience. Stay tuned for more on Arisa, an excerpt from her manuscript, excerpts from several of our finalists, and a prose selection in November!

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LitMore, located in Baltimore, aims to provide a space for writers, readers and audiences to come together for workshops, readings and support. The space provides daily and monthly writing studios and houses a free access community poetry library. But as of January 1, 2016, LitMore will become a nomadic literary organization, continuing programming, but in various locations. A number of local educational and cultural institutions have been examining the practicality of taking in the organization’s book collection, but until then the library will remain in limbo and it may be necessary to move the library’s collection to a storage facility until a partner has been found. Let’s give these books a home! Find out more on how to help here!

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