Joe Jiménez is the author of The Possibilities of Mud (Kórima 2014) and Bloodline (Arte Público 2016). Jiménez holds an MFA in Creative Writing from Antioch University Los Angeles. The short film “El Abuelo,” based on Jiménez’s poem, has been screened in Belgium, the Netherlands, Mexico, France, Argentina, Ireland, England, and the US. He lives in San Antonio, Texas, and is a member of the Macondo Workshops. For more, visit joejimenez.net.
Posts Tagged ‘Poetry’
The Poetry Society of America has announced that it is currently accepting a variety of submissions for poets at all stages in their career now through December 22nd. Submissions are free for members and you are welcome to submit work to all seven categories with no more than one entry for each.
From a recent PSA message:
Annual Awards judges include:
Cyrus Cassells, Eduardo Corral, Elaine Equi, Yona Harvey, Rebecca Gayle Howell, Laura Kasischke, Jennifer Moxley, Rowan Ricardo Phillips, Carmen Giménez Smith, and others
Rigoberto González, Linda Gregerson, Major Jackson, and Marilyn Nelson
Each year from October to December the Poetry Society offers contests for poets at all stages of their careers, from a prize for high school students, to our Chapbook Fellowships for poets who have not yet published a full-length collection, to our first book contest, and our award for a poet over forty who has published no more than one book.
We’re thrilled to announce we’re currently accepting submissions, which are free to members.
Begin your submission today. Good luck!
See the PSA’s website for more information on individual contests and submission guidelines.
Gregg Murray is an assistant professor of English at Georgia Perimeter College, as well as the editor of Muse A Journal. He has recent poems in Josephine Quarterly, Caketrain, Sou’wester, DIAGRAM, Pank, New South, Birmingham Poetry Review, Carolina Quarterly Review, RealPoetik, alice blue, Horse Less, Phantom Drift, decomP magazinE, Berkeley Poetry Review, Quiddity International, LEVELER, Free State Review, The Mondegreen, Spittoon, Menacing Hedge, Midway, interrupture, and elsewhere. Gregg also has a chapbook, Ceviche, from Spittoon Press.
Elizabeth Whittlesey was born in Harare, Zimbabwe, grew up in Salt Lake City, Utah, and lives in New York City, New York. She is a two-time finalist for the “Discovery”/Boston Review poetry contest and was a featured guest on WKCR’s “Studio A” this past August. She has worked as an Assistant Editor at Parnassus: Poetry in Review and was an official blogger for Bryant Park’s Word-for-Word reading series in 2014. Her poem-film “What Happened” appeared in Panoply 2006 and was shown at “Wednesdays at the Wall” on 55 Broad Street, and her work has appeared in journals including Gulf Coast, jubilat, Boston Review, POOL, Two Serious Ladies, Western Humanities Review, Phantom Books, JERRY, and BETTER. She is passionate about light, yoga, the earth, playing the piano, and dancing to and DJ’ing electronic music.
Posted in aimee herman, Augury Books, Creative Writing, Finalist, Poetry, Publishing, Reading Period, small presses, Writing, tagged Aimee Herman, Augury Books, creative writing, finalist, Poetry, publishing, reading period, small presses, Writing on October 29, 2015 | Leave a Comment »
Posted in andrew Seguin, Augury Books, black anecdote, Finalist, Poetry, Publishing, small presses, tagged andrew seguin, Augury Books, black anecdote, finalist, Pennsylvania Humanities Council, Poetry, Poets House, publishing, reading period, small presses, United States Fulbright Program on October 27, 2015 | Leave a Comment »
Andrew Seguin is a poet and photographer. He is the author of the chapbook Black Anecdote (Poetry Society of America, 2010), and has a new chapbook forthcoming from Tammy. His photographic work explores the intersection of imagery and language. Andrew has received fellowships from the Pennsylvania Humanities Council, Poets House and the United States Fulbright Program. You can find him on the web at www.andrewseguin.com.
Augury’s own Frances Justine Post is featured in issue 50.1 of Denver Quarterly. We published Post’s Beast in 2014 and Fox Frazier-Foley gives her musings on the text in this month’s review.
Frazier-Foley latches onto an overriding theme of Beast: the idea of the juxtaposing bestiality and civility in us all and how these parts interact to form a whole.
“…these poems provide an illuminating oscillation between brutality and vulnerability. What does it mean to be a beast, or to be human? Where, and why, might overlaps occur between/among these identities? Post explores the frightful possibilities through rich, lyrical language, melding the mythic tradition of human-animal hybrid consciousness with fraught, postmodern edges of ‘glowing emergency.’”
To see the connections between Post’s work and Ovid’s, and to read meditations on writers from Roland Barthes to Percival Everett to Joan Didion, subscribe to the Denver Quarterly here.
Beast is available for purchase through Small Press Distribution online.
More of Post:
Frances Justine Post on Twitter (@FrancesJPost)