Maureen Alsop is the author of MANTIC, APPARITION WREN, and four chapbooks. She is the winner of the third biennial Tony Quagliano Poetry Award, Harpur Palate‘s Milton Kessler Memorial Prize for Poetry, The Bitter Oleander’s Frances Locke Memorial Poetry Award, and other prizes. Her poems have appeared in various journals, including Cortland Review, Blackbird, The Laurel Review, AGNI, Tampa Review, Handsome, Barrow Street, Many Mountains Moving, Arsenic Lobster, Typo, and Kenyon Review.
Maureen Alsop creates a world where language and rhythm form a perfect ‘fusion.’ This poetry that is both inventive and elegant and yet never loses emotional depth…. As a reader I felt I was being taken on an extraordinary journey in which I was offered new and unexpected ways to experience the world. Throughout all the poems there is the underlying beauty of expression; a sense of real joy that is felt by a poet pushing the limits, bypassing boundaries, creating whole new territories of the mind, heart, and voice.”
We can tell when a poem is sent out into the world scared and these poems are the opposite. They’re fearless. Alsop is like a hero who boldly moves forward and never looks back. She’s a social revolutionary using words to change our concepts of reality and the world.”
—Mantic review by Grace Cavalieri, April 2014 Exemplars, Washington Independent Review of Books
I followed Alsop down Mantic’s rabbit role as willingly as the prepubescent girl depicted on the book’s cover seems to be entering into a pact with the water below. I was hypnotized by its Ouija-board-like logic, as if the poems were being spelled out for me before my eyes: an inscription of pigeons, the graffiti of circles, the sun’s library, speech as theory’s mirror, the dark’s lexicon of mosquitoes, the fuck bodies infinite pages.
Alsop is an alchemist, possessing the uncanny gift of rendering the concrete abstract, the opaque transparent: Among the glass trees, specific are the smoke rings, their pale shadows flood an imagined garden. As if in explication of her aesthetic, ‘Sideromancy’ continues: I have attempted to dissolve in singular fire-strikes the familiar arrival of moths.
Alsop has succeeded handsomely in dissolving the familiar: those liminal borders between poem and poet, poet and narrator, narrator and narrative, seer and seen. We are the fortunate voyeurs and trustees of her journey.”
—Mantic review by Lissa Kiernan, Poetry Editor Emeritus Arsenic Lobster
These poems are filled with genuine feeling and intelligence. [Alsop] writes with an emotional tension that rarely lapses or becomes distraught.”