Matthew Zingg’s ‘Mediations on Perspective’

Photo by Dave Bledsoe of FreeVerse Photography

M E D I A T I O N S   O N   P E R S P E C T I V E
by Matthew Zingg

Because the sky was wax paper the planes were
flies stuck in their holding patterns.

From a few thousand feet downtown must seem
          like something a man
could carve into a walnut shell.

It was just one of those days.

On the rooftop again a couple of dumb Lowells
in our hungover pajamas wagging two dollar
                 egg salad sandwiches
above our heads like late minute commandments.

You said: the city was wearing its clearest uniform.

I said: the brow of the park looked
scabrous and fresh

in its Sunday best, the air a shade
of yellow easiest to forget.

It was a game we played—to see how far the other
could take all this acreage.

A balloon lifts up a couple blocks away

and it means an explosion, a portent
or it means a slow eye. In other words

there is nowhere else to go up here, stretched
          thin as we are
across this autumn afternoon.

Matthew Zingg‘s work can be found in The Paris-American, The Awl, Blackbird, Cider Press Review, HTML Giant, The Madison Review, Birdfeast, The Rumpus, Everyday Genius, and Muzzle, among others. He lives in Baltimore where he hosts the Federal Dust Reading Series.

Poet Sarah Carson Shares ‘The Hello Goodbye’ with Augury Books

Photo by Dave Bledsoe of FreeVerse Photography

The Hello Goodbye
by Sarah Carson

Friend, they’re on their way to tell you that the poem you’ve been carrying is no longer your love poem. She’s said, “If another boy comes along, I’m going to kiss him,” and they’ve stamped it all official. There’s no time for an ode to the time you touched her hair in a store window, an elegy for the morning she found your necklace splayed softly in the dirt. She’s working on a little something about boxes and boxes and empty tractor trailers, about the widest river on your favorite continent and the shortest song you’ve ever heard. There are lines about several evenings where the phone is ringing and ringing and ringing in America. That poem, like most poems you loved, is useless. I’ve only come to tell you that I know how you are feeling, and it doesn’t matter. You need to take a long swig of something now. You need to get the hell out of here.

Sarah Carson was born and raised in Flint, Michigan, and now lives in Chicago with her dog, Amos. She is the author of three chapbooks, “Before Onstar” (Etched Press, 2010), “Twenty-Two” (Finishing Line Press, 2011), and “When You Leave” (H_NGM_N, 2012). Sometimes she blogs at