You’re the Most Beautiful Thing That Happened by Arisa White. Cover design: Mike Miller
Say Something Nice About Me by Sara Schaff. Cover design: Mike Miller
We are incredibly grateful to those of you that have continued to follow us through 2016. Please see Arisa’s and Sara’s respective author pages for more information about each title. We look forward to bringing these books into the world, and will post updates about launch parties in the coming months.
Hook: A Memoir is a gripping story of transformation. Without excuse or indulgence, author and educator Randall Horton explores his downward spiral from unassuming Howard University undergraduate to homeless drug addict, international cocaine smuggler, and incarcerated felon—before showing us the redemptive role that writing and literature played in helping him reclaim his life. The multilayered narrative bridges past and present through both the vivid portrayal of Horton’s singular experiences and his correspondence in letters with the anonymous Lxxxx, a Latina woman awaiting trial. Hook explores race and social construction in America, the forgotten lives within the prison industrial complex, and the resilience of the human spirit.
As promised, we are pleased to unveil the cover of Joe Pan‘s forthcoming collection, Hiccups (2015), designed by David Drummond.
Taking cues from a myriad of short forms—haiku, epigram, bon mot, aphorism, senryū—the poems in Joe Pan’s Hiccups search out unexpected ways to document events in transition. Here the imminent moment, deeply regarded, is agitated into performance or merely left to drift, generating through language a curious experience of its own making. The disparate settings of these poems are as diverse as the impulses that gave rise to the work—a Tokyo skyscraper, a South African wildlife preserve, a log cabin in the Pacific Northwest, a shark-infested reef off Belize. These are poems that arrive with a jolt, engulfing the familiar, before being left to linger or dissolve.
The poems in American Gramophone are menacing—spiked with hazards, threats, warnings and spells—yet the contained lines and composed forms temper the peril with delicacy: a pin curl in the palm, glass shelves full of violets. The collection explores this sharpness and splendor in an agrarian landscape where earth is both burden and livelihood. Here, beneath the music of machinery and birdsong, the trap is set.
Read an excerpt from American Gramophone, and then come back Wednesday for another book cover debut from our upcoming 2015 catalogue. For automatic updates, follow this blog in the right bottom corner.
Find out more about Carey McHugh and American Gramophone. And don’t forget…
Augury’s Reading Period Is Open for Prose and Poetry May 1 – July 31, 2015