PICS: Augury at AWP 2014

This year’s AWP offsite reading, Augury Books and Friends in Seattle, was a resounding success. We had a wonderful night of wine, snacks, readings, and socializing at the stunning Noble Gas Neon Company venue. Thank you so much to everyone who came out to attend the reading.

Special thanks to Lia Hall and Cedar Mannan for providing the space, as well as our 12 incredible Augury and guest readers, Maureen Alsop (Mantic), Halina Duraj (The Family Cannon), Alison Espach, Lia Hall, Lauren Hunter, Cynthia Lowen, Karyna McGlynn, Patrick Moran (The Book of Lost Things), Frances Justine Post (Beast), Alicia Jo Rabins, Camille Rankine, and Diana Spechler.

Welcoming the Crowd

Phoebe Rusch Helps Augury Editor Kate Angus Set Up

Augury and Friends Settle In

Patrick Moran and Camille Rankine Read for Augury Books and Friends Offsite, AWP 2014

Alison Espach Reads for Augury Books and Friends Offsite, AWP 2014

Camille Rankine Reads for Augury Books and Friends Offsite, AWP 2014

Cynthia Lowen Reads for Augury Books and Friends Offsite, AWP 2014

Diana Spechler Reads for Augury Books and Friends Offsite, AWP 2014

Halina Duraj Reads for Augury Books and Friends Offsite, AWP 2014

Frances Justine Post Reads for Augury Books and Friends Offsite, AWP 2014

Karyna McGlynn Reads for Augury Books and Friends Offsite, AWP 2014

Lauren Hunter Waits to Read at Augury Books and Friends Offsite, AWP 2014

Lia Hall Reads for Augury Books and Friends Offsite, AWP 2014

Maureen Alsop Reads for Augury Books and Friends Offsite, AWP 2014

Patrick Moran Reads for Augury Books and Friends Offsite, AWP 2014

Alicia Jo Rabins Reads for Augury Books and Friends Offsite, AWP 2014

"The State Of The Union, 1998" by Alison Espach

We are very excited to present work from our readers at next week’s Augury Books & Friends offsite AWP reading/shindig in Seattle. The reading will be at Noble Neon, 3130 Airport Way S on Friday, February 28th from 7:30 until we all feel like going back to our hotels. If you’ll be in Seattle, please join us! Afterwards we can all go dance at the VIDA party.

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This is an excerpt from Alison Espach’s “The State Of The Union, 1998”

THE STATE OF THE UNION, 1998

It is 1998, and everybody we know has moved to Florida.  Everybody we know is obsessed with their porch. The president is always on TV. He won’t leave us alone.

Our leadership in the world is unrivaled, Bill Clinton says.  Ladies and gentlemen, the state of our union is strong.

The President has bags under his eyes.

I am taking notes. Mrs. Klausterman is going to quiz us on the State of the Union first thing in social studies.  She said, “Write down anything you feel is important,” though I know from experience that everything I think is important usually turns out not to be important, so I decide to be safe and write down everything.

The President seems very tired.

But this is not a time to rest.

My brothers are playing Bloody Knuckles on the couch.  The point of the game is always to see who can stomach being the bloodiest, the longest.  Usually, nobody can.  It is the only game my brothers and I play where at some point, we all agree it’s better to lose.

My mother sips a gin and tonic, sitting Japanese-style on the floor. She looks like we do when we are watching Wheel of Fortune after dinner, noses close to the screen. She sits like this, so close to him, as though they are on a date.

It is a time to build a new America!

And find cures for diabetes.

(and AIDS!!!)

It’s no secret: my mother wants to fuck the President. These were my father’s exact words, last night, when my parents thought we had gone to sleep.

“It certainly is our business,” my mother said. “The president’s character is our business.”

“You only say that because he’s the only president you’ve ever wanted to fuck,” my father said.

I seized with panic in the stairwell. I had no idea there were people in this world who wanted to fuck the president. Fucking the President, I think, sounds like a kind of crime.  Something you should get arrested for.

Alison Espach is the author of the novel The Adults. The Adults was a Wall Street Journal Top 10 Novel of 2011, New York Times Editors’ Choice, Barnes and Noble Discover Great New Writers selection, and Chicago Tribune #1 Reader Recommendation.   Alison’s other writing has appeared in Salon, the Daily Beast, Lincoln Center Theater Review, Fiction Writer’s Review, Del Sol Review, Sentence, and others.

PICS: 2014 Launch Party for BEAST and THE FAMILY CANNON at Berl’s Poetry Shop

A sincere and enthusiastic thank you to everyone who came out on Friday night, despite bitter cold and hazardous ice, to celebrate the launch of Augury Books’ 2014 poetry collection, BEAST, by Frances Justine Post, and debut fiction book, THE FAMILY CANNON, by Halina Duraj.

A special thank you to Berl’s Poetry Shop for an ideal venue, friends and family who traveled far, photographer Dave Bledsoe, and guest readers Timothy Donnelly and Ely Shipley, who added their considerable talents to a wonderful evening.

Enjoy the pics! THE FAMILY CANNON and BEAST are both currently available on Amazon.

 

THE FAMILY CANNON author Halina Duraj  /  Photo by Dave Bledsoe of FreeVerse Photography

BEAST author Frances Justine Post  /  Photo by Dave Bledsoe of FreeVerse Photography

Frances Justine Post signs copies of her book  /  Photo by Dave Bledsoe of FreeVerse Photography

Halina Duraj signs copies of her book  /  Photo by Dave Bledsoe of FreeVerse Photography

Ely Shipley reads and introduces friend Halina Duraj  /  Photo by Dave Bledsoe of FreeVerse Photography

Timothy Donnelly reads before introducing friend Frances Justine Post  /  Photo by Dave Bledsoe of FreeVerse Photography

Frances Justine Post reads from BEAST  /  Photo by Dave Bledsoe of FreeVerse Photography

Halina Duraj reads from THE FAMILY CANNON  /  Photo by Dave Bledsoe of FreeVerse Photography

Frances Justine Post, Ely Shipley, Timothy Donnelly, Kate Angus, Kimberly Steele, Halina Duraj  /  Photo by Dave Bledsoe of FreeVerse Photography

Berl’s Poetry Shop / Photo by Dave Bledsoe of FreeVerse Photography