Book Release Party with Edwards & Lipari!

Finally, something to do Monday, February 20th if you live in the New York Tri-State area! Augury will be around to heartily celebrate the release of its three new titles. B.C. Edwards and Paige Lipari will also be there to read from their startlingly beautiful new chapbooks.

Also, music by Alicia Jo Rabins of Girls in Trouble! Cupcakes! Drink specials! Poetry! Books!

RSVP on facebook: https://www.facebook.com/events/272806632784695/

And we would be remiss if we didn’t thank everyone who supported Augury during our fundraising process. We made our goal! Thank you to donators, well-wishers, word-spreaders, hand-holders, and everyone else.

Big News: Chapbooks by B.C. Edwards & Paige Lipari

We have fantastic news! Following hot on the heels of our announcement that Patrick Moran won the Editors Prize for the Book of Lost Things, we are pleased to announce that Augury Books will be publishing two chapbooks this Winter/Spring. Take a moment to meet our attractive new authors B.C. Edwards and Paige Lipari.

B.C. Edwards lives in Brooklyn. He is the recipient of the 2011 Hudson Prize put out by Black Lawrence Press which will be publishing his collection of short fiction, “The Aversive Clause” in 2012 and his collection of poetry “From the Standard Cyclopedia of Recipes” in 2013. He is a regular contributor to BOMBlog and his work can be found in Red Line Blues, The Sink Review, Mathematics Magazine, Hobart and others. His short story “Illfit” is being adapted into a piece by the Royal Ballet of Flanders. He is also a Literary Death Match Champion and has the medal to prove it.

Paige Lipari is a poet, music maker, cartoonist, and cook. She lives and works in Brooklyn, and was previously an editor at A Public Space.

On Divination by Birds by Kimberly Johnson

We have long esteemed the work of Kimberly Johnson and so we are thrilled that she agreed to let us post this incredibly appropriate (and lovely) poem.

On Divination by Birds

I don’t need that black

wind of crows kicking up from flax to tell
heavy weather coming, white days to drop
barricades across the interstate,

against two hundred miles of trackless white.
(The crows so obvious then against the miles
of trackless white!) More tricky the magpies

flicker and croak at the sunken carcass
of a roadkill deer, raveling with beaks
the rubbery guts, picking gravel

from scant meat: there must be in their turn-taking
some pattern, some elegant design
beyond need, something in the raw trouble

of jays, the ragged braying geese flown south.
I gaze at their weightless wingbeats daylong
working to discern whether V might stand

for valediction, or vigilance, or
the blank indifference of velocity.


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This poem first appeared in the Harvard Review and later was in her book A Metaphorical God
(Persea Books, Inc. New York, NY 2008).


Kimberly Johnson is a poet, translator, and Renaissance scholar. She is the author of a previous collection, Leviathan with a Hook, and a translation of Virgil’s Georgics. Her poems appear widely in such publications as The New Yorker, Slate, and The Iowa Review. Johnson has received prizes from the Merton Foundation and the Utah Arts Council, and a Creative Writing Fellowship from the National Endowment for the Arts. She lives in Salt Lake City.
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Poetry at the Rubin

Augury Books is co-curating an evening of poetry at the Rubin Museum of Art in Manhattan.

150 W. 17 St., NYC 10011

Wednesday January 26, 2011 @ 7:00 PM
Price: $12.00
Member Price: $10.80

Poets Kimiko Hahn, Saskia Hamilton, Noelle Kocot, David Lehman, Ben Lerner, Brenda Shaughnessy, and Stacy Szymaszek read poems by themselves and others on the themes of absence, emptiness, and…nothing.

“if there’s nowhere to rest at the end how can I get lost along the way?”

–Ikkyu

For more information and to buy tickets in advance please visit the Rubin Museum website.

Augury, Defined

The Sacred Wood (Arnold Bocklin, 1882)

An augur, in the classical world of Rome and Etruria, was a priest who interpreted the will of the gods by studying the patterns made by flights of birds and other animals. After observing the animals’ actions (whether silent or making sounds, solitary or in groups, in which direction and if they stopped to rest), the augur would then divine what message the gods intended to convey so that the proper sacrifices could be made.

In modern parlance, the term has shifted from meaning a person who uses the natural world to interpret the super-natural or supra-natural to mean an event that indicates important things to come, similar to an omen.

We at Augury Press like the word, as well as divination and birds.