Once again, we truly want to thank everyone who braved the snow last month for our Poems About Nothing event at the Rubin Museum of Art. Whether you were there in actuality or just in spirit, hopefully you will enjoy a selection of photos from the evening.
Her calendar charm kick-starts men’s lips while her wrists drip with doorbells. When the doctor gazed at her, a nurse parade passed in his head. Thread of alizarin through her hair. She revs her engine with stars and white thigh-highs, while choirboys chant holy, holy in the burlesque of her hip swing. Though she was born at a roadblock, her legato knees open for the congregation. Murmur of campfire under her hair. Murmur of bass notes, rubber gloves. Sugar, she says, my lips are firebrands that’ll make your gold cross vibrato. The boys saw in prescribed light, her thorned orbit. Her breath full of footprints and soporific ruin. Her arm an empty room.
In a tongue-snap sky, waxwings unspool over the plains. He was a whisper, she was Nebraska. Her hands pepperweed, pebble, pearl to pearl, so tone-smooth. Her mouth speaks, a red canary to a dime cigar. Spittle sheen. There are worse things than being a pretty Catholic girl without any guilt.
She gives herself over to the music, embracing the Phoenician sailor and swearing beneath the cinema screen. Under the ostinato, under the train’s rustle, she goes down. With her topaz neck and her bestiary lure. With her coloratura and vixen gene, she goes down. Into the musk and hum and howl.
O lady of the bossa nova. O girl born of semaphores. Into the moss and phosphorous. Into the salt marsh and subjunctive silence. With currants in her mouth, a yellow scarf around her neck, she goes.
____________________________________________________________________________________________ Simone Muenchis the author of four poetry books: The Air Lost in Breathing (Marianne Moore Prize for Poetry; Helicon Nine, 2000); Lampblack & Ash (Kathryn A. Morton Prize for Poetry; Sarabande, 2005); Orange Crush(Sarabande, 2010); and Disappearing Address co-written with Philip Jenks (BlazeVOX, 2010). She received her Ph.D from the University of Illinois at Chicago, and now directs the Writing Program at Lewis University where she teaches creative writing and film studies. Additionally, she serves on the advisory boards of Switchback Books and UniVerse: A United Nations of Poetry, and is an editor for Sharkforum.
Horatio: If your mind dislike any thing, obey it: I will forestall their repair hither, and say you are not fit.
Hamlet: Not a whit, we defy augury. There is special providence in the fall of a sparrow. If it be now, ’tis not to come; if it be not to come, it will be now; if it be not now, yet it will come–the readiness is all.
William Shakespeare, Hamlet, V. ii. 217-222
We are readying ourselves for our March reading period. If you have a manuscript, we hope you’ll send it our way for our inaugural Editors’ Prize. More details available if you click on our Submissions tab.
Enjoy the weather and come hear some poetry at the Rubin tonight!
TONIGHT at 7pm!
Kimiko Hahn, Saskia Hamilton, Noelle Kocot, David Lehman, Ben Lerner, Brenda Shaughnessy, and Stacy Szymaszek will read poems by themselves and others reflecting absence, emptiness, and nothing—themes inherent in Buddhist art and philosophy.
Poems about Nothing is one in a series of programs inspired by the museum’s current exhibition, Grain of Emptiness: Buddhism-Inspired Contemporary Art. Like Poems about Nothing, the five artists’ works featured in Grain of Emptiness have been influenced by the tenets of Buddhism, namely, its central principles of emptiness and the fleeting nature of all things.
Programming Producer Tim McHenry notes, “Ancient Zen Buddhist koans are famous for presenting the reader with mysterious questions that are cryptic and paradoxical. Emily Dickenson, Robert Frost and many Western poets have confronted what “nothing” could be. But what is the contemporary poet’s relationship to the subject of “nothing?” I’m so pleased we can bring these seven celebrated poets together to excavate the multitudes of meaning behind nothingness, and to celebrate the ephemeral nature of the spoken word.”
Tickets
$12; $7 students with I.D. Tickets include admission to the galleries
Online: www.rmanyc.org/tickets; Box office: 212-620-5000 x344; or in person
Rubin Museum of Art
150 West 17 Street, between 6th and 7th Avenues
By subway: 1 to 18th Street; 2, 3, F, M to 14th Street; N, R, Q, 4, 5, 6 to Union Square www.rmanyc.org; 212-620.5000
The Poets
Kimiko Hahn is the author of eight books of poems, including: Earshot(awarded the Theodore Roethke Memorial Poetry Prize); The Unbearable Heart (an American Book Award); The Narrow Road to the Interior, which utilizes Japanese forms; and her latest Toxic Flora, poems inspired by science. Hahn is a recipient of a number awards—the most recent area Guggenheim Fellowship, PEN/Voelcker Award and The Shelley Memorial Prize—and she is a distinguished professor in the MFA Program in Creative Writing and Literary Translation at Queens College, The City University of New York.
Saskia Hamilton is the author of As for Dream (2001) and Divide These(2005), the editor of The Letters of Robert Lowell (2005), and the co-editor of Words in Air: The Complete Correspondence between Elizabeth Bishop and Robert Lowell (2008). Her poetry has appeared in the Kenyon Review, the New York Times Book Review, the New Yorker, and elsewhere. She teaches at Barnard College and lives in New York.
Noelle Kocot is the author of four books of poetry, most recently, Poem for the End of Time and Other Poems (Wave Books, 2006) and Sunny Wednesday (Wave Books, 2009), as well as a discography forthcoming in 2010 from Wave, and a full-length poetry collection, The Bigger World(Wave, 2011). She has won awards from The American Poetry Review, The National Endowment for the Arts, The Fund for Poetry and The Academy of American Poets, among others. She lives in New Jersey.
David Lehman is the author of Sign of the Times: Deconstruction and the Fall of Paul de Man, several books of poetry, and is Series Editor of The Best American Poetry. His essays, poems, and reviews have appeared in all the major literary publications, from the Times Literary Supplement, to The New Yorker to The Paris Review. He is the recipient of numerous prizes and fellowships, including a Guggenheim and the Award in Literature from the American Academy and Institution of Arts and Letters. Mr. Lehman’s book A Fine Romance: Jewish Songwriters, American Songs recently won the 42nd Annual ASCAP Deems Taylor award for outstanding print, broadcast and new media coverage of music. He lives in New York City.
Ben Lerner earned a BA in political science and an MFA in creative writing from Brown University, and was a Fulbright scholar in Madrid. Lerner is the author of several full-length poetry collections, including Mean Free Path (2010) and Angle of Yaw (2006), which was a finalist for the National Book Award and the Northern California Book Award. His sonnet sequence, The Lichtenberg Figures (2004), won the Hayden Carruth Award, was chosen by Library Journal as one of the year’s 12 best poetry books, and was a Lannan Literary Selection. His poetry has also been included in the anthologies Best American Poetry, New Voices (2008), and 12×12: Conversations in Poetry and Poetics (2009).
Brenda Shaughnessy received her B.A. in literature and women’s studies at the University of California, Santa Cruz, and she earned an M.F.A. at Columbia University. She is the author of Human Dark with Sugar (Copper Canyon Press, 2008), winner of the James Laughlin Award from the Academy of American Poets, and Interior with Sudden Joy (Farrar, Straus & Giroux, 1999), which was nominated for the PEN/Joyce Osterweil Award for Poetry, a Lambda Literary Award, and the Norma Farber First Book Award. Her poems have appeared in Best American Poetry, Bomb, Boston Review, Conjunctions, McSweeney’s, The New Yorker, The Paris Review, The Yale Review, and elsewhere. She is the poetry editor at Tin House magazine and currently teaches creative writing at Princeton University and Eugene Lang College at the New School.
Stacy Szymaszek was born in Milwaukee, WI. She is the author of the books Emptied of All Ships (Litmus Press, 2005) and Hyperglossia(Litmus Press, 2009), as well as numerous chapbooks, including Orizaba: A Voyage with Hart Crane (Faux Press, 2008), Stacy S.: Autoportraits (OMG, 2008), and from Hart Island (Albion Books, 2009). From 1999 to 2005, she worked at Woodland Pattern Book Center in Milwaukee’s Riverwest neighborhood. In 2005 she moved to New York City where she is the current Artistic Director of the Poetry Project at St. Mark’s Church.
Indiana power plant after flood, 1913. Photograph by DJ Angus.
It is our great pleasure to present this poem by David Lehman, one of the readers at tomorrow night’s Poems about Nothing event at the Rubin Museum. “The Human Factor” appears in When a Woman Loves a Man (Scribner, 2005).
The Human Factor
The gambler knows nothing’s
more addictive than deception
with the chance that the betrayed one,
the spouse or the State, is pretending
or consenting to be deceived
for motives of vanity and greed
not different from his own,
leaving him with a choice to make
between his mistress and his self-respect —
which may be why the ideal reader
of Graham Greene’s novels went
to a parochial school, was married
and divorced, has lived abroad
in Europe or Asia, plays in a weekly
small-stakes poker game, works
for a newspaper, lies to make a living.
David Lehman is the editor of “The Oxford Book of American Poetry.” He initiated “The Best American Poetry” and continues as the series editor of the annual anthology. His latest books of poems are “Yeshiva Boys” and “When a Woman Loves a Man.” The most recent of his six prose books is “A Fine Romance: Jewish Songwriters, American Songs” which recently won the 42nd Annual ASCAP Deems Taylor award for outstanding print, broadcast, and new media coverage of music.
Also, we just received news that pre-sale tickets are going fast, but it’s not too late to buy online! Please note that student tickets at their special discount price will only be available at the door.
Brenda Shaughnessy will be reading at the upcoming Poems about Nothing event at the Rubin Museum this Wednesday. This poem is from her forthcoming third book, Our Andromeda (Copper Canyon Press 2012), and was originally published in The Nation (Fall 2010).
Brenda Shaughnessy received her B.A. in literature and women’s studies at the University of California, Santa Cruz, and she earned an M.F.A. at Columbia University. She is the author of Human Dark with Sugar(Copper Canyon Press, 2008), winner of the James Laughlin Award from the Academy of American Poets, and Interior with Sudden Joy (Farrar, Straus & Giroux, 1999), which was nominated for the PEN/Joyce Osterweil Award for Poetry, a Lambda Literary Award, and the Norma Farber First Book Award. Her poems have appeared in Best American Poetry, Bomb, Boston Review, Conjunctions, McSweeney’s, The New Yorker, The Paris Review, The Yale Review, and elsewhere. She is the poetry editor at Tin House magazine and currently teaches creative writing at Princeton University and Eugene Lang College at the New School.
This week we continue to post work by the readers at the upcoming Poems about Nothing reading at the Rubin Museum. The event will take place this coming Wednesday, January 26th–for more details, please click on the Upcoming Events tab above. Today, we are pleased to present a poem by Kimiko Hahn from her book Toxic Flora (W.W. Norton, 2010)
Heteralocha Acutirostris
When the stunning huia became scarce,
Maori priests would declare a ban
on killing these small black birds, so prized,
their tail feathers were presented as mementos
and worn in battle and funeral rites.
But the Europeans ignored the priests
and soon the Maori themselves did not listen.
So now, the males with their short sharp beaks
to drill through bark and the females
with their long bowed ones to pluck out the grubs
have perished but for museum specimens.
Is this how we admire success in pairing—
kill then stuff then display as exemplar?
Ah, my beloved, hold fast to me, in terror.
Kimiko Hahn is the author of eight books of poems, including: Earshot (awarded the Theodore Roethke Memorial Poetry Prize); The Unbearable Heart (an American Book Award); The Narrow Road to the Interior, which utilizes Japanese forms; and her latest Toxic Flora, poems inspired by science. Hahn is a recipient of a number awards—the most recent area Guggenheim Fellowship, PEN/Voelcker Award and The Shelley Memorial Prize—and she is a distinguished professor in the MFA Program in Creative Writing and Literary Translation at Queens College, The City University of New York.
Stacy Szymaszek will be reading at the upcoming Poems about Nothing event at the Rubin Museum on January 26th. For more information about the reading, please click on our Upcoming Events tab. This is an excerpt from “Shift at Oars” which can be found in her book Emptied of All Ships (Litmus Press, New York, NY, 2005).
Stacy Szymaszek was born in Milwaukee, WI. She is the author of the books Emptied of All Ships (Litmus Press, 2005) and Hyperglossia (Litmus Press, 2009), as well as numerous chapbooks, including Orizaba: A Voyage with Hart Crane (Faux Press, 2008), Stacy S.: Autoportraits (OMG, 2008), and from Hart Island (Albion Books, 2009). From 1999 to 2005, she worked at Woodland Pattern Book Center in Milwaukee’s Riverwest neighborhood. In 2005 she moved to New York City where she is the current Artistic Director of the Poetry Project at St. Mark’s Church.
This week we continue to bring you work by the poets reading at the upcoming Poems about Nothing series at the Rubin Museum on the 26th. For more details about the reading, please click on our Upcoming Events tab above. Today’s poet is Ben Lerner.
from ANGLE OF YAW
HE HAD ENOUGH RESPECT FOR PAINTING to quit. Enough respect for quitting to paint. Enough respect for the figure to abstract. For abstraction to hint at the breast. For the breast to ask the model to leave. But I live here, says the model. And I respect that, says the painter. But I have enough respect for respect to insist. For insistence to turn the other cheek. For the other cheek to turn the other cheek. Hence I appear to be shaking my head No.
Ben Lerner is the author of three books of poetry, The Lichtenberg Figures (2004), Angle of Yaw (2006), and Mean Free Path (2010), all published by Copper Canyon Press. He has been a Fulbright Scholar in Spain, a finalist for the National Book Award, and is currently a Howard Foundation Fellow. He teaches at Brooklyn College.