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Posts Tagged ‘Augury Books’

Despite a long radio silence, we here at Augury Books have been hard at work preparing two new books for a late 2016 release. While covers have previously been posted by authors via social media, we would like to formally introduce cover art (by the wonderful Mike Miller) for both You’re the Most Beautiful Thing That Happened, by Arisa White, and Say Something Nice About Me, by Sara Schaff.

 

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You’re the Most Beautiful Thing That Happened by Arisa White. Cover design: Mike Miller

 

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Say Something Nice About Me by Sara Schaff. Cover design: Mike Miller

 

We are incredibly grateful to those of you that have continued to follow us through 2016. Please see Arisa’s and Sara’s respective author pages for more information about each title. We look forward to bringing these books into the world, and will post updates about launch parties in the coming months.

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This coming Tuesday, January 26th at 7 PM, Unnameable Books in Prospect Heights, Brooklyn will host a night of reading and celebration by and for various Augury authors as well as a launch for Alicia Jo Rabins‘ Divinity School. Among the authors present will be Joe Pan, Frances Justine Post, and Augury’s founding editor Kate Angus. Join us for what will surely be a night of wonderful prose and great company.

Alicia Jo Rabins is a poet, composer, musician, and Torah scholar. She was born in Oregon and grew up in Baltimore and New York City. Alicia’s poems appear in Ploughshares, American Poetry Review, 6×6, The Boston Review, and elsewhere. She teaches ancient Jewish texts to children and adults and performs internationally as a violinist and singer. Alicia lives in Portland, Oregon with her husband, daughter, and son.

Joe Pan is the author of two collections of poetry, Hiccups (Augury Books) and Autobiomythography & Gallery (BAP). He is the publisher and managing editor of Brooklyn Arts Press, serves as the poetry editor for the arts magazine Hyperallergic and small press editor for Boog City, and is the founder of the services-oriented activist group Brooklyn Artists Helping. His piece “Ode to the MQ-9 Reaper,” a hybrid work about drones, was excerpted and praised in The New York Times. In 2015 Joe participated in the Lower Manhattan Cultural Council’s Process Space artist residency program on Governors Island. Joe attended the Iowa Writers’ Workshop, grew up along the Space Coast of Florida, and now lives in Williamsburg, Brooklyn.

Frances Justine Post is the recipient of the “Discovery” / Boston Review Poetry Prize, the Inprint Paul Verlaine Poetry Prize, and the Amy Award from Poets & Writers. Her poems have appeared in American Letters & Commentary, Boston Review, Denver Quarterly, The Kenyon Review Online, The Massachusetts Review, Pleiades, Western Humanities Review, and others. Originally from Sullivan’s Island, SC, she received her MFA from Columbia University and her PhD in Creative Writing from the University of Houston. She lives in the Hudson Valley of NY.

Kate Angus is a founding editor of Augury Books. Her poetry and nonfiction have appeared in a number of literary journals and anthologies, including Indiana Review, Subtropics, Court Green, Verse Daily, The Awl, The Rumpus, Best New Poets 2 and Best New Poets 2014. She is a recipient of the “Orlando” prize from the A Room of Her Own Foundation, as well as Southeastern Review’s Narrative Nonfiction prize and American Literary Review’s award for Creative Nonfiction. A former Writer in Residence at Interlochen Arts Academy, she has also received residencies from the Writer’s Room at the Betsy Hotel in South Beach, the Wildfjords trail in Westfjords, Iceland, and the BAU Institute in Otranto, Italy. She is a Creative Writing Advisory Board Member for the Mayapple Center for Arts and Humanities and a Guest Literary Arts Curator for the nonprofit arts organization Pen and Brush, where she curates the “Pen and Brush Presents…” reading series. Her collection, So Late to the Party, is forthcoming in Spring 2016 from Negative Capability Press.

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Aimee Herman is the author of two full length books of poetry, “meant to wake up feeling” and “to go without blinking” and currently teaches writing in the Bronx. Read more words at aimeeherman.wordpress.com.

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Photo courtesy of Sofia Verzbolovskis

Photo courtesy of Sofia Verzbolovskis

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Andrew Seguin is a poet and photographer. He is the author of the chapbook Black Anecdote (Poetry Society of America, 2010), and has a new chapbook forthcoming from Tammy. His photographic work explores the intersection of imagery and language. Andrew has received fellowships from the Pennsylvania Humanities Council, Poets House and the United States Fulbright Program. You can find him on the web at www.andrewseguin.com

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Augury’s own Frances Justine Post is featured in issue 50.1 of Denver Quarterly. We published Post’s Beast in 2014 and Fox Frazier-Foley gives her musings on the text in this month’s review.

Frazier-Foley latches onto an overriding theme of Beast: the idea of the juxtaposing bestiality and civility in us all and how these parts interact to form a whole.

“…these poems provide an illuminating oscillation between brutality and vulnerability. What does it mean to be a beast, or to be human? Where, and why, might overlaps occur between/among these identities? Post explores the frightful possibilities through rich, lyrical language, melding the mythic tradition of human-animal hybrid consciousness with fraught, postmodern edges of ‘glowing emergency.’”

To see the connections between Post’s work and Ovid’s, and to read meditations on writers from Roland Barthes to Percival Everett to Joan Didion, subscribe to the Denver Quarterly here.

Beast is available for purchase through Small Press Distribution online.

More of Post:

Frances Justine Post’s website

Frances Justine Post on Twitter (@FrancesJPost)

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There are little words
that can fit in little places
if you say them small enough.

To fit a song into a pore
you have to be prepared
for the day it will sweat.

If words could stick on people,
if spoken, they would become
a different creature.

Blinded and you’re turned
five times around. Nothing
in you knows what it knew.

It’s the best part of the game:
Prick the girls you like best
while pinning on the donkey’s tail.

Arisa White is a Cave Canem fellow, an MFA graduate from the University of Massachusetts, Amherst, and is the author of the chapbooks Disposition for Shininess and Post Pardon. With funding from the City of Oakland, Post Pardon was adapted into an opera. Her full-length collections Hurrah’s Nest and A Penny Saved were published in 2012. Her debut collection, Hurrah’s Nest, won the 2012 San Francisco Book Festival Award and was nominated for a 44th NAACP Image Award, the 82nd California Book Awards, and the 2013 Wheatley Book Awards. Member of the PlayGround writers’ pool, her play Frigidare was staged for the 15th Annual Best of PlayGround Festival. One of the founding editors of HER KIND, an online literary community powered by VIDA: Women in Literary Arts, Arisa has received residencies, fellowships, or scholarships from Headlands Center for the Arts, Port Townsend Writers’ Conference, Rose O’Neill Literary House, Squaw Valley Community of Writers, Hedgebrook, Atlantic Center for the Arts, Prague Summer Program, Fine Arts Work Center, and Bread Loaf Writers’ Conference. She is a 2013-14 recipient of an Investing in Artist Grant from the Center for Cultural Innovation, which funded the dear Gerald project, a regional representative for Nepantla: A Journal Dedicated to Queer Poets of Color, and a faculty member in the BFA Creative Writing program at Goddard College. Her poetry has been widely published and is featured on the recording WORD with the Jessica Jones Quartet. Arisa is a native New Yorker, living in Oakland, CA, with her wife, Samantha.

More on Arisa White.

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In the Giant’s Lair (1892) by Gerhard Munthe, Wikimedia Commons

Following a plentiful reading period full of outstanding work, Augury Books is very happy to announce Arisa White‘s you’re the most beautiful thing that happened as our poetry selection for 2016. We received so many great submissions, and paring down one manuscript from our finalist pool was a difficult feat. We are glad to highlight the work of our poetry finalists here:

Architect, Garden by Andrew Seguin

brightness this by Franciszka Voeltz

I Wanted Everything by Elizabeth Whittlesey

Majnun by Mark Faunlagui

Pinocchio: The Whale Years by Patrick Moran

Schematics for Manhood & Flight by Joe Jimenez

Snow Farmer by Benjamin Gantcher

there are some things that are easier to mention by Aimee Herman

When I Was an Octopus by Gregg Murray

On behalf of the editors, we thank you all for your extended patience. Stay tuned for more on Arisa, an excerpt from her manuscript, excerpts from several of our finalists, and a prose selection in November!

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