“If you like to be spooked by poems, if you like poems to send you back into your quotidian existence with a more acute sense of its weirdness and charm, read “How to Mend Small Children” carefully. Edwards’ poems offer solutions to bizzaro problems and alchemic transmogrifications for exotic items, but their miraculous nature really lies in the way they transform the person who reads them. Prepare to visit a dimension that is weird, dark, funny and eerily similar to the one in which we live.” ~Ben Mirov
Art
FAMILY OF MANY ENZOS by Paige Lipari
“In Family of Many Enzos, Paige Lipari conjures a night kitchen that pulses with memory and fantastical incident. Volcanoes provide the heat, while “the red moon only comes out on the nights we stuff artichokes.” The cooking, too, is hardly homey: “enemies/ will be picking/ bones from their loaf,” and be sure to look for the “young American cousin in/ the sweet dumpling squash.” Smartly posed dilemmas of self-knowledge are entwined with strands of a generational saga, obliquely told yet vivid. Lipari pries at the connections that link all things sensual—food and pleasure (“Make me a feast out of the/ the brains you’ve lost in bed”)—to render felt intimacies, as well as the starkness of isolation: “Where are the candles kept?/ I am alone on this ceiling,/ and wasn’t even born timely to.” In Lipari’s night kitchen, the flame burns low but steady.” ~Albert Mobilio
Book Release Party with Edwards & Lipari!
Finally, something to do Monday, February 20th if you live in the New York Tri-State area! Augury will be around to heartily celebrate the release of its three new titles. B.C. Edwards and Paige Lipari will also be there to read from their startlingly beautiful new chapbooks.
Also, music by Alicia Jo Rabins of Girls in Trouble! Cupcakes! Drink specials! Poetry! Books!
RSVP on facebook: https://www.facebook.com/events/272806632784695/
And we would be remiss if we didn’t thank everyone who supported Augury during our fundraising process. We made our goal! Thank you to donators, well-wishers, word-spreaders, hand-holders, and everyone else.
Photos from our Event!
Once again, we truly want to thank everyone who braved the snow last month for our Poems About Nothing event at the Rubin Museum of Art. Whether you were there in actuality or just in spirit, hopefully you will enjoy a selection of photos from the evening.
Augury Live! Tonight!
Enjoy the weather and come hear some poetry at the Rubin tonight!
TONIGHT at 7pm!
Kimiko Hahn, Saskia Hamilton, Noelle Kocot, David Lehman, Ben Lerner, Brenda Shaughnessy, and Stacy Szymaszek will read poems by themselves and others reflecting absence, emptiness, and nothing—themes inherent in Buddhist art and philosophy.
Poems about Nothing is one in a series of programs inspired by the museum’s current exhibition, Grain of Emptiness: Buddhism-Inspired Contemporary Art. Like Poems about Nothing, the five artists’ works featured in Grain of Emptiness have been influenced by the tenets of Buddhism, namely, its central principles of emptiness and the fleeting nature of all things.
Programming Producer Tim McHenry notes, “Ancient Zen Buddhist koans are famous for presenting the reader with mysterious questions that are cryptic and paradoxical. Emily Dickenson, Robert Frost and many Western poets have confronted what “nothing” could be. But what is the contemporary poet’s relationship to the subject of “nothing?” I’m so pleased we can bring these seven celebrated poets together to excavate the multitudes of meaning behind nothingness, and to celebrate the ephemeral nature of the spoken word.”
Tickets
$12; $7 students with I.D. Tickets include admission to the galleries
Online: www.rmanyc.org/tickets; Box office: 212-620-5000 x344; or in person
Rubin Museum of Art
150 West 17 Street, between 6th and 7th Avenues
By subway: 1 to 18th Street; 2, 3, F, M to 14th Street; N, R, Q, 4, 5, 6 to Union Square
www.rmanyc.org; 212-620.5000
The Poets
Kimiko Hahn is the author of eight books of poems, including: Earshot(awarded the Theodore Roethke Memorial Poetry Prize); The Unbearable Heart (an American Book Award); The Narrow Road to the Interior, which utilizes Japanese forms; and her latest Toxic Flora, poems inspired by science. Hahn is a recipient of a number awards—the most recent area Guggenheim Fellowship, PEN/Voelcker Award and The Shelley Memorial Prize—and she is a distinguished professor in the MFA Program in Creative Writing and Literary Translation at Queens College, The City University of New York.
Saskia Hamilton is the author of As for Dream (2001) and Divide These(2005), the editor of The Letters of Robert Lowell (2005), and the co-editor of Words in Air: The Complete Correspondence between Elizabeth Bishop and Robert Lowell (2008). Her poetry has appeared in the Kenyon Review, the New York Times Book Review, the New Yorker, and elsewhere. She teaches at Barnard College and lives in New York.
Noelle Kocot is the author of four books of poetry, most recently, Poem for the End of Time and Other Poems (Wave Books, 2006) and Sunny Wednesday (Wave Books, 2009), as well as a discography forthcoming in 2010 from Wave, and a full-length poetry collection, The Bigger World(Wave, 2011). She has won awards from The American Poetry Review, The National Endowment for the Arts, The Fund for Poetry and The Academy of American Poets, among others. She lives in New Jersey.
David Lehman is the author of Sign of the Times: Deconstruction and the Fall of Paul de Man, several books of poetry, and is Series Editor of The Best American Poetry. His essays, poems, and reviews have appeared in all the major literary publications, from the Times Literary Supplement, to The New Yorker to The Paris Review. He is the recipient of numerous prizes and fellowships, including a Guggenheim and the Award in Literature from the American Academy and Institution of Arts and Letters. Mr. Lehman’s book A Fine Romance: Jewish Songwriters, American Songs recently won the 42nd Annual ASCAP Deems Taylor award for outstanding print, broadcast and new media coverage of music. He lives in New York City.
Ben Lerner earned a BA in political science and an MFA in creative writing from Brown University, and was a Fulbright scholar in Madrid. Lerner is the author of several full-length poetry collections, including Mean Free Path (2010) and Angle of Yaw (2006), which was a finalist for the National Book Award and the Northern California Book Award. His sonnet sequence, The Lichtenberg Figures (2004), won the Hayden Carruth Award, was chosen by Library Journal as one of the year’s 12 best poetry books, and was a Lannan Literary Selection. His poetry has also been included in the anthologies Best American Poetry, New Voices (2008), and 12×12: Conversations in Poetry and Poetics (2009).
Brenda Shaughnessy received her B.A. in literature and women’s studies at the University of California, Santa Cruz, and she earned an M.F.A. at Columbia University. She is the author of Human Dark with Sugar (Copper Canyon Press, 2008), winner of the James Laughlin Award from the Academy of American Poets, and Interior with Sudden Joy (Farrar, Straus & Giroux, 1999), which was nominated for the PEN/Joyce Osterweil Award for Poetry, a Lambda Literary Award, and the Norma Farber First Book Award. Her poems have appeared in Best American Poetry, Bomb, Boston Review, Conjunctions, McSweeney’s, The New Yorker, The Paris Review, The Yale Review, and elsewhere. She is the poetry editor at Tin House magazine and currently teaches creative writing at Princeton University and Eugene Lang College at the New School.
Stacy Szymaszek was born in Milwaukee, WI. She is the author of the books Emptied of All Ships (Litmus Press, 2005) and Hyperglossia(Litmus Press, 2009), as well as numerous chapbooks, including Orizaba: A Voyage with Hart Crane (Faux Press, 2008), Stacy S.: Autoportraits (OMG, 2008), and from Hart Island (Albion Books, 2009). From 1999 to 2005, she worked at Woodland Pattern Book Center in Milwaukee’s Riverwest neighborhood. In 2005 she moved to New York City where she is the current Artistic Director of the Poetry Project at St. Mark’s Church.
Miracles by Brenda Shaughnessy
Brenda Shaughnessy will be reading at the upcoming Poems about Nothing event at the Rubin Museum this Wednesday. This poem is from her forthcoming third book, Our Andromeda (Copper Canyon Press 2012), and was originally published in The Nation (Fall 2010).
Miracles
I spent the whole day
crying and writing, until
they became the same,
as when the planet covers the sun
with all its might and still
I can see it; or when one dead
body gives its heart
to a name on a list. A match.
A light. Sailing a signal
flare behind me for another to find.
A scratch on the page
is a supernatural act, one twisting
fire out of water, blood out of stone.
We can read us. We are not alone.
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Brenda Shaughnessy received her B.A. in literature and women’s studies at the University of California, Santa Cruz, and she earned an M.F.A. at Columbia University. She is the author of Human Dark with Sugar(Copper Canyon Press, 2008), winner of the James Laughlin Award from the Academy of American Poets, and Interior with Sudden Joy (Farrar, Straus & Giroux, 1999), which was nominated for the PEN/Joyce Osterweil Award for Poetry, a Lambda Literary Award, and the Norma Farber First Book Award. Her poems have appeared in Best American Poetry, Bomb, Boston Review, Conjunctions, McSweeney’s, The New Yorker, The Paris Review, The Yale Review, and elsewhere. She is the poetry editor at Tin House magazine and currently teaches creative writing at Princeton University and Eugene Lang College at the New School.
Listen by Saskia Hamilton
Listen
The shaded window.
Voices from the garden rose to
the room and soon the green blanket
soothed you. The phone rang. A door
closed. No one turning
down the gravel path, no one
taking up the garden shears.
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This poem first appeared in Divide These (Minneapolis: Graywolf Press, 2005).
Saskia Hamilton is the author of As for Dream (2001) and Divide These (2005), the editor of The Letters of Robert Lowell (2005), and the co-editor of Words in Air: The Complete Correspondence between Elizabeth Bishop and Robert Lowell (2008). Her most recent work appears in Joining Music with Reason: 34 Poets, British and American (2010).
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Talks About Nothing Series featured on The Economist
The Economist recently wrote an insightful article on the Rubin Museum‘s Talks About Nothing series which featured novelist Rick Moody and physicist Melissa Franklin! Including our event on January 26th, there are still several others left in this series before it ends in late January. You can find tickets here.
Also, to refresh your memory, here is the official press release for Poems About Nothing:
RUBIN MUSEUM OF ART
presents
POEMS ABOUT NOTHING
Wednesday, January 26
7pm
$12/$10.80 for RMA Members/$5 student/ advance available by phone
Admission includes access to the galleries from 5pm-7pm.
Buy tickets here.
Himalayan Happy Hour and live music in the café from 5-7pm prior to the reading.
“if there’s nowhere to rest at the end how can I get lost along the way?”–Ikkyu
Poets Kimiko Hahn, Saskia Hamilton, Noelle Kocot, David Lehman, Ben Lerner, Brenda Shaughnessy, and Stacy Szymaszek read poems by themselves and others on the themes of absence, emptiness, and…nothing.
Presented in association with Augury Books www.augurybooks.com
RUBIN MUSEUM OF ART
150 WEST 17TH STREET, NEW YORK CITY 212.620.5000 x344 www.rmanyc.org
This performance informs the exhibition
Grain of Emptiness
Buddhism-Inspired Contemporary Art
Grain of Emptiness features five contemporary artists—Sanford Biggers, Theaster Gates, Atta Kim, Wolfgang Laib, and Charmion von Wiegand—all inspired by the Buddhist notions of emptiness and impermanence and Buddhist ritual practice. These artists are from disparate backgrounds and explore a range of artistic mediums, but all have inherited the practice of incorporating Eastern religious beliefs into their works. The exhibition’s paintings, photographs, videos, and installations will be complemented by performance art. For more information on the series relating to the exhibition please visit www.rmanyc.org/nothing.
2 Poems by Karin Gottshall

Original Photo by Karin Gottshall
The Victorian Age
One thousand lockets minus a lace handkerchief
equals a flock of passenger pigeons, each
carrying a Valentine heart. Seven hundred
ladies’ gloves plus a fishing village
amounts to one temperamental swan and a missing
engagement ring. The alphabet backwards
equals the cemetery on the hill. Marzipan
equals almonds, eggs, sugar, and a scullery maid
weeping into her apron. We’ve lost count
of cravats, hair brooches, and riding boots, traded
a deck of cards for two gentlemen playing
at charades. Top hats can be added to tapioca—
flavor with rum. Two hundred and fifty
petticoats multiplied by twelve chimneysweeps
equals a shattered femur. One locomotive
plus a dozen headmasters comes to a bakery
on Easter morning: hot cross buns with currants.
A dirge equals a dirge. Twenty-seven
daguerreotypes times three overwrought aviaries
is a solar eclipse. Christmas divided by deep mourning
equals burnt porridge. Thirteen hundred orphans left over.
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Love Poem with Ebb Tide
I mistook strangers’ gestures for yours—
strangers walking toward me in the sun. Lilacs
tossed by the wind. The tiny bones
of our wrists sometimes ached when it rained,
and Sundays I bought books and artichokes,
thinking why do I have to be so fragile,
I am too fragile. You held my face
in your fingers; pantomime of a wedding
enacted by fireflies. We shielded our eyes
when the harbor was filled with sails. White
sails! And the long breaths of cool wind
from Quebec. I had a feeling someone
was looking for me, but searching the wrong
century. When I went to sea—but I didn’t,
I never went. I just stood on the pier.
You walked by, carrying a lantern.
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Karin Gottshall is the author of Crocus, published by Fordham University Press in 2007, and the chapbook Flood Letters, forthcoming from Argos Books. Recent poems appear in Field, The Southern Review, Harvard Review, and in the online journals Memorious and La Petite Zine. She lives in Middlebury, Vermont, and teaches poetry writing at Middlebury College.
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4 Poems by Sharmila Cohen
Augury likes to think of Telephone as our sister journal. Therefore, it is our honor to present 4 very small poems by one of the co-editors today!
4 Poems
The iron gates kept us out of the city
for weeks. When we finally broke through,
giant moths burst from the chimneys of every home.
When the sky cleared, our eyes burned
and all sight of the present was lost.
*
We are following the horn-tips
through the wilderness. Someone will be cursed
on behalf of goats. The walking stick broke
and scrambled down the mountain. This appeared
to be a prophecy. A fainting spell.
A mandatory sleep.
*
We galloped through the tunnels and tunnels led
to more tunnels. Sometimes fires would light
on the path ahead. During that era,
we were made of water. Those of us who evaporated
returned fully-formed in the cold evening.
*
The expedition failed
when someone tripped over a crate
of dead birds. We covered the body in feathers,
but blood could not be stopped. A dark trail
of wings rivered around the campsite.
*
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Sharmila Cohen lives in Brooklyn. She is a graduate of The New School’s M.F.A. program and co-editor of Telephone, a translation-based poetry journal. Her work can also be found in Harper’s Magazine, The Cortland Review, Shampoo, and Juked, among other places.
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