Yoga and Writing Retreat Led by Halina Duraj: Openings Still Available

This retreat will help you discover, nurture and support your own creative potential by providing you with yoga and writing tools that unravel the writer within. The retreat will take place in the world famous yoga retreat center Prana del Mar — located in the southern tip of Baja, Mexico — from Saturday, May 31st to Thursday June 5th, 2014.

Find out more here!

More on Halina Duraj

Submit your manuscript to Augury Books — Our reading period is open!

 

VIDEO: Frances Justine Post and Kate Angus Visit ‘The Casserole’ Online Reading Series

BEAST author Frances Justine Post stopped by The Side Dish, part of the online reading series, The Casserole, to read from her new book (available here) and talk with series runner Chelsea Kurnick about the imagery of the book, its narrative arc, and writing “creepy poetry.”

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Also check out Augury Books editor Kate Angus’ reading on The Casserole:

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The Casserole is a weekly online reading series hosted by Chelsea Kurnick and featuring poetry and prose writers every Sunday. Writers hang out with Chelsea on Google Hangouts and the result is aired live on Youtube. The Casserole goes live at 6:30pm until 7:30pm PDT each week. If you miss an episode, you can come back any time to watch the recordings.

Submit your manuscript to Augury Books — Our reading period is open!

Augury’s Reading Period Opens May 1 – July 31 for Poetry and Prose MSs

Photo by Dave Bledsoe of FreeVerse Photography

It’s almost time to start polishing up your full-length manuscripts to submit to Augury Books for publication in 2015.

This year, we will be accepting manuscripts for publication in two categories: Poetry and Prose. Our new, expanded Prose Category includes both Short Fiction Collections and Creative Nonfiction Manuscripts. Augury’s reading period will open via Submittable on midnight of May 1, 2014, and remain open until 11:59 on July 31, 2014.

For you early birds who want to know what’s in store, here’s a peek at our upcoming guidelines:

FOR FULL-LENGTH POETRY MANUSCRIPTS: 

  • Submissions should be 45-80 pages. This page requirement does not include any front and back matter your manuscript might contain (title page, table of contents, dedication, acknowledgements, notes, about the author, etc.).

FOR FULL-LENGTH PROSE MANUSCRIPTS:

  • Submissions should be 150-220 pages, double-spaced, with 1″ margins. This page requirement does not include any front and back matter your manuscript might contain (title page, table of contents, dedication, acknowledgements, notes, about the author, etc.).
  • The prose sub-category in which you are submitting — Short Fiction OR Creative Nonfiction — must be clearly stated in your Submittable Cover Letter / Bio field AND on the first page of the uploaded manuscript itself.

FOR EVERYTHING, ACROSS THE BOARD:

  • Brief (approx. 300-word) bio is required, pasted separately from your uploaded manuscript on the Submittable form.
  • Multiple submissions, either within or across categories, are welcome, but must be submitted separately with separate reading fees.
  • Simultaneous submissions are welcome, but please withdraw your MS immediately if it is accepted elsewhere, up until the time we announce our selections in the fall.
  • Except under special circumstances, we are unable to accept submissions from international authors. Contact us for more information if this applies to you.
  • Acceptable formats for uploaded manuscripts are PDF, DOC, and DOCX.

AND … WE’RE RUNNING A SPECIAL! 

  • All those submitting will have the option of getting a discounted book from our catalogue along with your submission. Find out more about the discounted titles when our reading period opens. Fee for submission without a book purchase: $10 per submission. Fee for submission with a book purchase: $18 per submission.*

Check back with us on May 1, when we will publish the link to our Submittable Campaign on our SUBMISSIONS PAGE, as well as here on our blog. We can’t wait to see you then and read your work!

Check out our current catalogue to get a feel for our aesthetic.

*Discount is only available with a Submittable submission. One book per submission. Your decision to submit with or without a book purchase has no bearing on our consideration of your manuscript. All funds Augury Books receives through Submittable will go toward the titles’ production fees and the maintenance of our catalogue. Complimentary copies will be available to authors of accepted titles.

PICS: Augury at AWP 2014

This year’s AWP offsite reading, Augury Books and Friends in Seattle, was a resounding success. We had a wonderful night of wine, snacks, readings, and socializing at the stunning Noble Gas Neon Company venue. Thank you so much to everyone who came out to attend the reading.

Special thanks to Lia Hall and Cedar Mannan for providing the space, as well as our 12 incredible Augury and guest readers, Maureen Alsop (Mantic), Halina Duraj (The Family Cannon), Alison Espach, Lia Hall, Lauren Hunter, Cynthia Lowen, Karyna McGlynn, Patrick Moran (The Book of Lost Things), Frances Justine Post (Beast), Alicia Jo Rabins, Camille Rankine, and Diana Spechler.

Welcoming the Crowd

Phoebe Rusch Helps Augury Editor Kate Angus Set Up

Augury and Friends Settle In

Patrick Moran and Camille Rankine Read for Augury Books and Friends Offsite, AWP 2014

Alison Espach Reads for Augury Books and Friends Offsite, AWP 2014

Camille Rankine Reads for Augury Books and Friends Offsite, AWP 2014

Cynthia Lowen Reads for Augury Books and Friends Offsite, AWP 2014

Diana Spechler Reads for Augury Books and Friends Offsite, AWP 2014

Halina Duraj Reads for Augury Books and Friends Offsite, AWP 2014

Frances Justine Post Reads for Augury Books and Friends Offsite, AWP 2014

Karyna McGlynn Reads for Augury Books and Friends Offsite, AWP 2014

Lauren Hunter Waits to Read at Augury Books and Friends Offsite, AWP 2014

Lia Hall Reads for Augury Books and Friends Offsite, AWP 2014

Maureen Alsop Reads for Augury Books and Friends Offsite, AWP 2014

Patrick Moran Reads for Augury Books and Friends Offsite, AWP 2014

Alicia Jo Rabins Reads for Augury Books and Friends Offsite, AWP 2014

Our readers for the Augury Books & Friends Offsite AWP Reading

We’re so excited for the upcoming Augury Books & Friends offsite AWP reading/shindig in Seattle. We have a great list of readers (see below), each of whom will read briefly and then we will make new friends and maybe even fall in love during the post-reading mingling. The reading will be at Noble Neon, 3130 Airport Way S this Friday, February 28th from 7:30 until we all feel like going back to our hotels.  If you’ll be in Seattle, please join us!

Photo by Dave Bledsoe of FreeVerse Photography

Our readers (in alphabetical order) will be:

Maureen Alsop, author of MANTIC (Augury Books, 2012), has new poems appearing at Watershed Review, Citron Review and ditch.

Halina Duraj‘s stories have appeared in The Sun, The Harvard Review, FictionWitness, and other journals. She has an MA in creative writing from the University of California, Davis, and a PhD in literature and creative writing from the University of Utah. In 2012, she was a writer-in-residence at Hedgebrook, a women’s writing retreat on Whidbey Island, WA. She teaches at the University of San Diego, where she also directs the Lindsay J. Cropper Center for Creative Writing. She is the author of THE FAMILY CANNON (Augury Books, 2014), now available.

Alison Espach is the author of The Adults, a New York Times Editor’s Choice, a Wall Street Journal Top 10 Novel of the Year, and a “Barnes and Nobel Discover Great Writers” pick. Her other writing can be found in McSweeney’s, Five Chapters, Salon, The Daily Beast, Glamour, Writer’s Digest and other journals. Her short story “Someone’s Uncle” is available as an e-book through Scribner.

Lia Hall writes in neon. She co-founded Noble Neon illuminating words and shapes with noble gases. She teaches yoga and lives in the Old Rainier Brewery in Seattle. She received her MFA in Poetry at the New School in 2009.

Lauren Hunter is from North Carolina and lives in Brooklyn. She received her MFA in poetry from The New School and works with the team at Telephone Books as their Managing Editor. Lauren is the co-founder/curator of the Electric Pumas, a reading series/revolution in New York City. Her chapbook, My Own Fires, was released by Brothel Books in 2011.

Cynthia Lowen is an award-winning filmmaker, writer, and poet, and author of The Cloud That Contained the Lightning, winner of the 2012 National Poetry Series selected by Nikky Finney. Cynthia is the recipient of the 2013 Women Authoring Change Fellowship from William Morris Entertainment, the DuPont-Columbia University Awards for Excellence in Journalism, and the Discovery/Boston Review Poetry Prize, as well as residencies to The Fine Arts Work Center in Provincetown, Hedgebrook, and Yaddo, among others. Cynthia is also the producer and writer of BULLY, a feature documentary film following five kids and families through “a year in the life” of America’s bullying crisis, which was released in theaters worldwide by The Weinstein Company. She lives in New York City.

Karyna McGlynn is the author of I Have to Go Back to 1994 and Kill a Girl, winner of the Kathryn A. Morton Prize from Sarabande Books, as well as two chapbooks. Her poems have recently appeared in Ploughshares, The Literary Review, Seattle Review, West Branch, Subtropics, and The Academy of American Poet’s Poem-A-Day. Karyna received her MFA from the University of Michigan, and is currently a PhD candidate in Literature & Creative Writing at the University of Houston. She is the Managing Editor of Gulf Coast and coordinator for the Houston Indie Book Fest and Gulf Coast Reading Series.

Patrick Moran is a 1995 graduate of the Iowa Writer’s Workshop. He is the author of four books of poetry, Tell A Pitiful Story, (MWPH, 2011), Doppelgangster (Main Street Rag Press, 2012), THE BOOK OF LOST THINGS, (Augury Books 2012), Rumors of Organized Crime, Poems & Plays’ 2013 Tennessee Chapbook Prize winner. He is also the author of “The Ampersand: Casual Vortex or Engraver’s Shortcut,” which appeared in the 2013 September issue of The Writer’s Chronicle. His poems and translations have appeared in many journals including the New Republic, The Antioch Review, The Prairie Schooner, The Southern Review and The Boston Review. He is currently an associate professor of creative writing at the University of Wisconsin-Whitewater.  His lives in Fort Atkinson, WI with his wife, the painter Bethann Moran, and their three children.

Frances Justine Post is the recipient of the “Discovery” / Boston Review Poetry Prize, the Inprint Paul Verlaine Poetry Prize, and the Amy Award from Poets & Writers. Her poems have appeared in American Letters & CommentaryBoston Review, Denver QuarterlyThe Kenyon Review Online, The Massachusetts ReviewPleiadesWestern Humanities Review, and others. Originally from Sullivan’s Island, SC, she received her MFA from Columbia University and is currently earning her PhD in Creative Writing at the University of Houston, where she is poetry editor for Gulf Coast Magazine. She is the author of BEAST (Augury Books, 2014), now available.

Alicia Jo Rabins is a poet and musician currently based in Portland, OR. Her work appears in American Poetry Review, 6×6, Boston Review, Court Green, Ploughshares and The Collagist.  She tours internationally with her band, Girls in Trouble, a song cycle about the complicated lives of Biblical women, and has performed fiddle music across Central America and Kuwait. Residencies and scholarships include Bread Loaf Writers Conference, Lower Manhattan Cultural Council, and Bucknell Seminar for Younger Poets

Camille Rankine is the author of Slow Dance with Trip Wire, selected by Cornelius Eady for the Poetry Society of America’s 2010 New York Chapbook Fellowship. The recipient of a 2010 “Discovery”/Boston Review Poetry Prize, her poetry has appeared in numerous journals, including American Poet, The Baffler, Boston Review, Denver Quarterly, Indiana Review, Octopus, Paper Darts, and  Tin House. She was selected for a MacDowell Colony Fellowship in 2013, and was named an Honorary Cave Canem Fellow in 2012. She is Assistant Director of the MFA Program in Creative Writing at Manhattanville College, Editorial Director of The Manhattanville Review, and lives in New York City.

Diana Spechler is the author of the novels Who by Fire (Harper Perennial, 2008) and Skinny (Harper Perennial, 2011). Her fiction and nonfiction have appeared in the New York Times, the Wall Street Journal, Slate, Salon, O The Oprah Magazine, CNN Living, Paris Review, GQ, Esquire, Glimmer Train Stories, and Southern Review, among other publications; as well as in a number of anthologies, including, most recently, Sex Matters: The Sexuality and Society Reader (W.W. Norton, 2013) and True Tales of Lust and Love (Counterpoint/Soft Skull, 2014). She is the recipient of an MFA degree from the University of Montana, a Steinbeck Fellowship from San Jose State University, a LABA Fellowship from the 14th Street Y, residencies from the Anderson Center and Portsmouth Abbey School, and a fellowship from the Sozopol Fiction Seminars. She is also a six-time Moth StorySLAM winner whose stories have been featured on The Moth podcast and The Moth Radio Hour.

A story by Diana Spechler

We’re happy to continue presenting work from our readers at the upcoming Augury Books & Friends offsite AWP reading/shindig in Seattle. The reading will be at Noble Neon, 3130 Airport Way S on Friday, February 28th from 7:30 until we all feel like going back to our hotels. If you’ll be in Seattle, please join us! In the meantime, here’s a story by Diana Spechler

Diana Spechler is the author of the novels Who by Fire (Harper Perennial, 2008) and Skinny (Harper Perennial, 2011). Her fiction and nonfiction have appeared in the New York Times, the Wall Street Journal, Slate, Salon, O The Oprah Magazine, CNN Living, Paris Review, GQ, Esquire, Glimmer Train Stories, and Southern Review, among other publications; as well as in a number of anthologies, including, most recently, Sex Matters: The Sexuality and Society Reader (W.W. Norton, 2013) and True Tales of Lust and Love (Counterpoint/Soft Skull, 2014). She is the recipient of an MFA degree from the University of Montana, a Steinbeck Fellowship from San Jose State University, a LABA Fellowship from the 14th Street Y, residencies from the Anderson Center and Portsmouth Abbey School, and a fellowship from the Sozopol Fiction Seminars. She is also a six-time Moth StorySLAM winner whose stories have been featured on The Moth podcast and The Moth Radio Hour.

"The State Of The Union, 1998" by Alison Espach

We are very excited to present work from our readers at next week’s Augury Books & Friends offsite AWP reading/shindig in Seattle. The reading will be at Noble Neon, 3130 Airport Way S on Friday, February 28th from 7:30 until we all feel like going back to our hotels. If you’ll be in Seattle, please join us! Afterwards we can all go dance at the VIDA party.

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This is an excerpt from Alison Espach’s “The State Of The Union, 1998”

THE STATE OF THE UNION, 1998

It is 1998, and everybody we know has moved to Florida.  Everybody we know is obsessed with their porch. The president is always on TV. He won’t leave us alone.

Our leadership in the world is unrivaled, Bill Clinton says.  Ladies and gentlemen, the state of our union is strong.

The President has bags under his eyes.

I am taking notes. Mrs. Klausterman is going to quiz us on the State of the Union first thing in social studies.  She said, “Write down anything you feel is important,” though I know from experience that everything I think is important usually turns out not to be important, so I decide to be safe and write down everything.

The President seems very tired.

But this is not a time to rest.

My brothers are playing Bloody Knuckles on the couch.  The point of the game is always to see who can stomach being the bloodiest, the longest.  Usually, nobody can.  It is the only game my brothers and I play where at some point, we all agree it’s better to lose.

My mother sips a gin and tonic, sitting Japanese-style on the floor. She looks like we do when we are watching Wheel of Fortune after dinner, noses close to the screen. She sits like this, so close to him, as though they are on a date.

It is a time to build a new America!

And find cures for diabetes.

(and AIDS!!!)

It’s no secret: my mother wants to fuck the President. These were my father’s exact words, last night, when my parents thought we had gone to sleep.

“It certainly is our business,” my mother said. “The president’s character is our business.”

“You only say that because he’s the only president you’ve ever wanted to fuck,” my father said.

I seized with panic in the stairwell. I had no idea there were people in this world who wanted to fuck the president. Fucking the President, I think, sounds like a kind of crime.  Something you should get arrested for.

Alison Espach is the author of the novel The Adults. The Adults was a Wall Street Journal Top 10 Novel of 2011, New York Times Editors’ Choice, Barnes and Noble Discover Great New Writers selection, and Chicago Tribune #1 Reader Recommendation.   Alison’s other writing has appeared in Salon, the Daily Beast, Lincoln Center Theater Review, Fiction Writer’s Review, Del Sol Review, Sentence, and others.

A poem by Camille Rankine

We’re happy to continue presenting work from our readers at the upcoming Augury Books & Friends offsite AWP reading/shindig in Seattle. The reading will be at Noble Neon, 3130 Airport Way S on Friday, February 28th from 7:30 until we all feel like going back to our hotels. If you’ll be in Seattle, please join us!

Photo by Dave Bledsoe of FreeVerse Photography

Camille Rankine is the author of Slow Dance with Trip Wire, selected by Cornelius Eady for the Poetry Society of America’s 2010 New York Chapbook Fellowship. The recipient of a 2010 “Discovery”/Boston Review Poetry Prize, her poetry has appeared in numerous journals, including American Poet, The Baffler, Boston Review, Denver Quarterly, Indiana Review, Octopus, Paper Darts, and  Tin House. She was selected for a MacDowell Colony Fellowship in 2013, and was named an Honorary Cave Canem Fellow in 2012. She is Assistant Director of the MFA Program in Creative Writing at Manhattanville College, Editorial Director of The Manhattanville Review, and lives in New York City.

A poem by Karyna McGlynn

We’re happy to continue presenting work from our readers at the upcoming Augury Books & Friends offsite AWP reading/shindig in Seattle. The reading will be at Noble Neon, 3130 Airport Way S on Friday, February 28th from 7:30 until we all feel like going back to our hotels. If you’ll be in Seattle, please join us!

Photo by Dave Bledsoe of FreeVerse Photography

Shooting Script

I like to yank necklaces from women’s throats.

I am unconcerned

whether I break the clasps or the women.

A spray of pearls in the sunlight. No comment.

I smoke in the same sunlight.

Unconcerned in my underwear on an old floral chair.

My feet on the armrest. Look at me.

Little sensual snail.

Feet on the dashboard. The same sunlight.

I am a passenger in his Wagoneer

racing to a lakeside house where I will die.

In a Coeur d’Alene diner our waitress is pretty

with big breasts and black eyes.

She deserves better than this.

When she goes out by the dumpster to smoke

we kidnap her. Look at me, I say. Look.

The same sunlight on the lake house.

Grilled meat smell licking the side of the lake.

The three of us in a boat.

I am feeding the waitress slices of apple

off the side of my knife. She is wearing

my old green bikini. The boat cuts through

the no wake zone. Spray of water in the sunlight.

The droplets cling to her glasses. She doesn’t

wipe them away. She wants to tell me something.

Look, I say. We all have an imperfect past.

We swim out to the untethered raft.

He is showing off. He dives down under

the cool shadow, hides between rusted barrels.

He looks through the gray planks

into our green and cherry crotches. Sunlight.

He puts algae in his hair. He gurgles.

Look, I say. Monster. A thing goes ping, ping, ping.

His mouth. Her ear. Someone makes a wineglass sing.

I lick my thumb. I won’t stop it.

One time a body washed up in a greening slip.

It was waxen with cold and axed down

everyone’s Indian summer. True story.

You should come kiss me for telling it.

Originally published in Phoebe, Spring 2013

Karyna McGlynn is the author of I Have to Go Back to 1994 and Kill a Girl, winner of the Kathryn A. Morton Prize from Sarabande Books, as well as two chapbooks. Her poems have recently appeared in Ploughshares, The Literary Review, Seattle Review, West Branch, Subtropics, and The Academy of American Poet’s Poem-A-Day. Karyna received her MFA from the University of Michigan, and is currently a PhD candidate in Literature & Creative Writing at the University of Houston. She is the Managing Editor of Gulf Coast and coordinator for the Houston Indie Book Fest and Gulf Coast Reading Series.

A poem by Maureen Alsop

Here is some more great work from our readers at the upcoming Augury Books & Friends offsite AWP reading/shindig in Seattle. The reading will be at Noble Neon, 3130 Airport Way S on Friday, February 28th from 7:30 until we all feel like going back to our hotels. If you’ll be in Seattle, please join us! Today’s poem is by Maureen Alsop and appears in her book Mantic which we were happy to publish last year.

Photo by Dave Bledsoe of FreeVerse Photography

GYROMANCY

divination by walking around a circle of letters until dizzy you fall down on the letters or in the direction to take

So you go wither. Go muscled in foxglove. So the surface of passionflower’s scent known

to the lungs will be touched by the mouth. So a camera’s song leans

over the guardrail. So the graffiti of circles. So lexicon is devoured by chalk

in the grassland. So omega. So bilge. So yesterday the tradition of order was left

to the entangled hawfinch. So I refused. So I am not a lady. Not your supper jug. Your

hunt of her. So dumpling, who’s your fried chicken? Even in neon-fragment. Even in

mastic-erotic-red. Your taste of me dispensed. So inconsolable keystrokes do not

withdraw from honesty, as honesty is in itself inconsolable.

So found I was without you. I do not remember how you left. Transparent, history

steeped in your head. So I held my finger to the small

blossoms of your eyelids. So I told the sun

to go. And there it spread. So flagstone. So eaglet.

Maureen Alsop, author of Mantic, available to order here, has new poems appearing at Watershed Review, Citron Review and ditch.