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Archive for the ‘Creative Nonfiction’ Category

We are incredibly proud to acknowledge that Randall Horton’s Hook has won the Great Lakes College Association New Writers Award for 2017 in the category of creative nonfiction. Other titles earning the GLCA New Writers Award this year include Nate Marshall’s Wild Hundreds in the category of poetry, and Charles Boyer’s History’s Child in the category of fiction.

 

As a small press, we consider this recognition a great honor, extending our congratulations to Randall and our gracious thanks to the Great Lakes College Association.

 

Learn more about Hook here.

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Bernheim+06

Bernheim Arboretum and Research Forest

Located at the Bernheim Arboretum and Research Forest in Louisville, Kentucky, the Sarabande Writing Residency offers an annual residency to writers of poetry, fiction, or creative nonfiction. The residency includes a two-to six-week stay in a private cottage, as well as a $500 travel stipend. Sarabande Books, founded in 1994, publishes works in poetry, short fiction, and essay, hosting about 225 readings, workshops, and lectures per year.

You can learn more about this residency and how to apply at Sarabande Books.

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Felice Beato's hand colored photograph courtesy of the Public Domain Review

Felice Beato’s hand colored photograph courtesy of the Public Domain Review

Augury Books is delighted to announce that our spring/summer 2015 reading period is now open! For guidelines and general information, please visit our submissions page. If you’re already familiar with our guidelines, click the button below to be redirected to Submittable. We look forward to reading your work!

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Felice Beato's Hand Colored Photograph courtesy of the Public Domain Review

Felice Beato’s hand colored photograph courtesy of the Public Domain Review

Augury Books is happy to announce that our spring/summer 2015 reading period opens for submissions on May 1st! This year we’ll be accepting poetry manuscripts, as well as short fiction collections and creative nonfiction collections. For more on guidelines and submissions head over to our Submittable page. Stay tuned for more updates, and get excited!

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From E. Weiß’s Bilderatlas der Sternenwelt (1888), courtesy of the Public Domain Review

From E. Weiß’s Bilderatlas der Sternenwelt (1888), courtesy of the Public Domain Review

The Community of Literary Magazines and Presses (CLMP) released the nominees for their new Firecracker Awards. Inspired by the Firecracker Alternative Book Awards, CLMP’s awards strive to honor and support literary works from independent publishers and self-published writers.

The finalists are divided into six categories: creative nonfiction, fiction, poetry, young adult, graphic novels, and literary magazines. Among them is Augury author Halina Duraj for her book of short stories, The Family Cannon. Other finalists across categories include Jeffery Renard AllenMartha Baillie, Bonnie Friedman, Allen Crawford, and Ransom Riggs, as well as several literary magazines, including 6 x 6, A Public Space, and Mosaic. Tin House, Graywolf Press, Ahsahta Press, and Tender Buttons Press are all among the publishers that have titles shortlisted. The winners in each group will be announced on May 27th at powerHouse Arena in DUMBO.

To see the complete shortlists for the Firecracker Awards, view CLMP’s press release.

For more about Halina Duraj and The Family Cannon, click here.

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A.J. Bormeester's Nova Totius Terrarum Orbis Tabula (1684), courtesy of the Public Domain Review

A.J. Bormeester’s Nova Totius Terrarum Orbis Tabula (1684), courtesy of the Public Domain Review

The dates and theme for the 11th annual PEN World Voices Festival have recently been announced. From May 4th through May 10th, 100 writers from various countries will come together in NYC to celebrate literature “On Africa.” The 2015 program, co-curated by Chimamanda Ngozi Adichie, seeks to make heard the voices of contemporary African artists. Among the writers being featured are Teju Cole, Edwidge Danticat, Mona Eltahawy, and Alain Mabanckou.

PEN is an international organization dedicated to protecting free expression for writers and expanding a worldwide literary community. Each Spring, they hold their World Voices Festival, chaired by Salman Rushdie, to exhibit the works of writers cross-culturally and to “celebrate the written word.” To learn about or get involved with PEN, explore their website.

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Ernst Haeckel's Radiolaria (1862), courtesy of the Public Domain Review

Ernst Haeckel’s Radiolaria (1862), courtesy of the Public Domain Review

Augury friend Diana Spechler has recently begun a weekly column for The New York Times’ Opinionator entitled “Going Off.” In this series, she recounts her experiences while coming off of the prescription medications she uses to treat depression, anxiety, and insomnia. Diana sat down with Augury assistant editor Nicolas Amara to talk about the new column.

Augury Books: What has the initial response to “Going Off” been like?

Diana Spechler: A lot of advice. A lot of people sharing their own stories. Some thank you notes. Some anger–that I’m not coming out as staunchly anti-meds or staunchly pro-meds. I love it. All of it. What’s clear to me from the response and what was clear to me before I started the column, is that in 2015 psychiatric medications are still a taboo; now that I’m writing about them in the New York Times, in this very candid way, people are dying to talk. For some reason, we’re supposed to hide our psychiatric disorders and treatments. We’re supposed to feel embarrassed about them. That’s silly. There’s this story a guy once told me, probably seven or eight years ago, that’s always stuck with me: He went out with a woman and was turned off because he found antidepressants in her medicine cabinet. He relayed this information to me to explain why he never called her again. I told him, “You have to be kidding.” For one thing, what was he doing in her medicine cabinet? For another thing, turned off by her medication–her efforts to be healthy and happy? Jeez. Tough crowd! Antidepressants are one of the most commonly prescribed drugs in America. Chances are, you know a lot of people on antidepressants and benzos and sleeping pills and mood stabilizers. Great. We’re all on drugs. Now let’s talk.

A: Did you ever feel nervous about running the column?

D: I was terrified before I started. Even after I started, I was terrified. I had a couple of bad days when the first piece ran. I felt so exposed. I felt like I was mooning the world. But it’s worth it for me to do this, to be as honest and open and straightforward as possible. It’s still scary, but now that I have this platform, I feel intense responsibility: I have a voice; I need to use it. I’m grateful to have public support through such a brutal process. Most people getting off their meds have one or two people to talk to, or they have no one. I’m extremely lucky and I never forget that.

A: Do you think the sort of writing you’re doing helps de-stigmatize depression?

D: That’s the idea. I don’t like any topics to be off-limits. I want to talk about everything. I want everyone to tell me everything, too. You know how people cover their ears and say, “TMI! TMI!”? There’s no such thing as TMI to me. If you’re insanely jealous of someone, or if you’ve stalked someone, or if you have a rash on your genitals, I totally want to know about it. I’m not above talking about my exes on a first date, either. We have all these pointless rules. It’s not hurting anyone if I talk about my period, if I talk about my panic attacks, if I talk about my medication. What are we, Puritans? I hope to help others feel less ashamed.

To read “Going Off,” click here.

More on Diana Spechler

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