Frances Justine Post to Read at Poets House on Wed, July 23

Frances Justine Post

On Wednesday evening, Frances Justine Post (BEAST, 2014) will be reading at Poets House in NYC as part of the Showcase Reading Series. Joining Post are poets Brett Fletcher LauerEmily Abendroth, and Wendy S. Walters.

The event will take place in association with the Annual Poets House Showcase, a remarkable initiative to collect and exhibit to the public, free of charge, every book of poetry published each year, making the Poets House stock among the most comprehensive open-stacks collections in the country.

So go for the reading, stay for the books—or vice-versa—on Wednesday, July 23, 7pm, at Ten River Terrace (at Murray Street) / New York, NY  10282.

Learn more about the Poets House showcase and other readings this week in the New Yorker.

Post will also be reading with Augury at the New York Poetry Festival on Saturday. Stay tuned for more information on the festival and readers later this week.

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Kate Angus Writes on Poetry Readership and Keeping Poetry Sales Alive

“Ripple Effect on Water” courtesy of Sergiu Bacioiu, Wikimedia Commons

Augury editor Kate Angus’s article on The Millions today discusses the audience for poetry (wider than people often think!) and strategies that independent presses such as Augury are using to increase sales. In her article, Angus shares the idea that because of the increased capability of reading poetry outside of a bookstore or a library, Americans might in fact be reading more poetry than ever. Things like the “Poetry in Motion” project in New York, along with the increase of sharing poetry through social media, have sparked a higher readership in the US, and people have access to more poetry than they did in the past.

Thanks to the ease of sharing poems through email and social media, it’s possible that poetry’s audience might be greater now than ever. According to The Academy of American Poets director Jen Benka, the Academy’s Poem-a-Day has over 300,000 readers, so large an audience that the Hearst Corporation recently partnered with the Academy to include the poems in their online and print newspapers and magazines.”

While the readership for poetry might have increased, book sales are down overall when it comes to people wanting to actually buy poetry. In her article, Angus outlines some of the ways that smaller presses are trying to keep poetry sales alive, such as widening readership in general by branching out to publish other genres in hopes that someone reading a short story might see what else a press has published, therefore becoming interested in the published poetry.

Our hope is that readers who like the prose we publish may discover, as they poke around our catalog, that they like the poetry too (and vice versa). “

For more on poetry readership, as well as many other ways that presses are trying to increase the sale of poetry, check out Angus’ full article here.

Only 10 days left in Augury’s reading period – Submit your manuscript now!

Meghan O'Rourke to Lecture at the Mayapple Center

Meghan O’Rourke, photo by Sarah Shatz

The Mayapple Center for the Arts and Humanities will kick off their Creative Writing guest lecture series on Monday night, July 21, with a lecture by editor, essayist and poet Meghan O’Rourke. The Center, located in Stamford, Connecticut, provides programs, retreats and residencies that cover writing, literature, music, and art therapy, in a “distinctly 21st century climate.”

Augury Books editor Kate Angus, who is also Mayapple Center’s Creative Writing Advisor, will be introducing O’Rourke on Monday night. For more information on the Center and to register, visit Mayapple’s site.

Meghan O’Rourke began her career as one of the youngest editors in the history of The New Yorker. Since then, she has served as culture editor and literary critic for Slate as well as poetry editor and advisory editor for The Paris Review. Her essays, criticism, and poems have appeared in Slate, The New Yorker, The New York Times Magazine, The New York Times Book Review, The Nation, Redbook, Vogue, Poetry, The Kenyon Review, and Best American Poetry. O’Rourke is also the author of the poetry collections Once (2011) and Halflife (2007), which was a finalist for both the Patterson Poetry Prize and Britain’s Forward First Book Prize. She was awarded the inaugural May Sarton Poetry Prize, the Union League Prize for Poetry from the Poetry Foundation, a Lannan Literary Fellowship, two Pushcart Prizes, and a Front Page Award for her cultural criticism. One of three judges chosen to select Granta’s Best Young American Novelists in 2007, she has been a fellow at the MacDowell Colony and a finalist for the Rome Prize of the Academy of Arts and Letters. A graduate of Yale University, she has taught at Princeton, The New School, and New York University. She lives in Brooklyn, where she grew up, and Marfa, TX.

 

Shelly Oria in The Paris Review; New Book Forthcoming

Shelly Oria, photo by T Kira Madden

Friend of Augury and fiction author Shelly Oria, whose short story collection, New York 1, Tel Aviv O, is forthcoming from FSG and Random House Canada (November 2014), appears in this summer’s issue of The Paris Review with her short story, “My Wife, in Converse,” quoted here from TPR’s site:

The last time we had sex, it was cold out and they said a storm was coming. My wife was shivering in fear, making a list to steady herself. For a while I was trying to cross things off—candles, eight gallons of water, move things away from windows. Check, I would say cheerfully at her, check check check. But the more I crossed off, the longer the list got, and the more anxious my wife seemed. She was sitting on our bed, her upper body low like it was trying to reach her knees. I stood close behind her, put my hands on her shoulders. Honey, I said, and she tilted her head back and looked up to meet my eyes. There was such fear in her face, and I hadn’t thought this through; ‘honey’ was all I had.”

Read more here, or you can find the full short story in The Paris Review’s Summer 2014 issue, also featuring new work by Joy Williams, Henri Cole, Zadie Smith, Jane Hirshfield, and more.

For more on Oria and her work, visit her website.

Pre-order the upcoming New York 1, Tel Aviv 0.

Shelly Oria was born in Los Angeles and grew up in Israel. Her short story collection, New York 1, Tel Aviv 0, is forthcoming from FSG and Random House Canada in November. Shelly’s fiction has appeared in The Paris Review, McSweeney’s, TriQuarterly, and fivechapters, among other places, and has won a number of awards, including the Indiana Review Fiction Prize. Shelly curates the series Sweet! Actors Reading Writers in the East Village and teaches fiction at Pratt Institute, where she also codirects the Writers’ Forum.

VIDEO and AUDIO: New Work from Maureen Alsop in ‘Menacing Hedge,’ ‘Your Impossible Voice,’ and More

Image courtesy of Fred J, Wikimedia Commons

Maureen Alsop (Mantic, Augury Books, 2013) has emerged with new pieces in her short video series for literary journal Your Impossible Voice. “Portentum” and “Esopus” now join “Sweepspear” and “Terrestris” to complete the YIV series.

Watch the videos for “Portentum” and “Esopus” here; find out more about YIV here.

Also, listen to Alsop read four new poems in this summer’s edition of Menacing Hedge, and check out her new work in First Literary Review-East.

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Gulf Coast Now Accepting Entries for 2014 Barthelme Prize

Gulf Coast is now accepting entries for the 2014 Barthelme Prize for Short Prose. The contest is open to pieces of prose poetry, flash fiction, and micro-essays of 500 words or fewer. Established in 2008 after American postmodernist author Donald Barthelme, the contest awards its winner $1,000 and publication in the journal. Two honorable mentions will also be awarded.

This year’s contest will be judged by award-winning author Amy Hempel (The Collected Stories, Scribner, 2006).

For more details and guidelines, head over to Gulf Coast.

Augury Books’ reading period is open — Submit your manuscript!

Maureen Alsop’s MANTIC Reviewed in ‘Prick of the Spindle’; New Material in Superstition Review

Photo by Nicolas Amara

The latest issue of the Alabama-based quarterly Prick of the Spindle features a review of Maureen Alsop’s Mantic (Augury Books, 2013) by poet Christopher R. Vaughan, who speaks of the themes in Mantic and how they function:

‘Mantic’ means ‘of or relating to the faculty of divination: prophetic,’ according to Webster’s New Collegiate Dictionary. Alsop’s collection is indeed largely a tour of mantic poems whose helpful subtitles state the exact type of divination being attempted . . . . Mantic is a fascinating and consistently inventive exploration into the depths of experience. There is an ocean of feeling here, and the collection is at its most successful when the author brings a clear shape to the painful and dark currents running through the book.”

Read the full review here.

While you’re at it, check out this collection of wonderful new guest posts, podcasts, and poems by Alsop on this spring’s Superstition Review.

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Augury Books at the 4th Annual New York City Poetry Festival

The New York City Poetry Festival, put on by the Poetry Society of New York and organized by Stephanie Berger and Nicholas Adamski, will celebrate its 4th year on July 26th and 27th, with two full days of readings on three stages at Governors Island. This year’s line up includes Mark DotyMatthea Harvey, and Joyelle McSweeney, as well as readings organized by The Academy of American Poets, Coldfront Magazine, and The Poetry Project, among many others.

Join the festival both Saturday and Sunday between 11 AM to 6 PM, with a Vendor’s Village of booksellers, artists and craft makers, and food truck catering. Augury Books will be reading on Saturday at 4 PM on the White Horse stage, with Frances Justine Post (BEAST, 2014), David Joel Friedman and B. C. Edwards (TO MEND SMALL CHILDREN, 2012). Admission is free — don’t miss out!

Check out the press release for more info, or visit the Festival’s website for a full line up of each day, directions, and any additional info.

Augury Books’ reading period is open — Submit your manuscript!

Mayapple Center Offers Scholarships to Study with Pulitzer Winner Vijay Seshadri

Mayapple Center for the Arts and Humanities

The Mayapple Center for Arts and Humanities, a nonprofit center in Stamford, Connecticut, is offering two half-scholarships to study with Vijay Seshadri, winner of this year’s Pulitzer Prize for poetry. The class is called Transitions and Transfigurations and runs from August 18 — August 22 on Mayapple’s campus.
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The focus of this weeklong workshop in the rhetoric of nonfiction prose writing—which will be understood as encompassing everything from personal essays and memoirs to high-end literary journalism to lyric essays of the sort that obliterate the distinction between nonfiction and poetry on the one hand and nonfiction and fiction on the other. Students will examine the ways in which prose is made to move and develop and create meaning and feeling through that movement, as well as read and dissect essays and memoir fragments by writers ranging from Nabokov, Orwell, Virginia Woolf and James Baldwin to contemporaries such as Anne Carson, Vivian Gornick, and John D’Agata.
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Vijay Seshadri is the author of the collections Wild KingdomThe Long MeadowThe Disappearances,and 3 Sections, winner of the 2014 Pulitzer Prize in poetry. His essays, reviews, and memoir fragments have appeared in periodicals such as The New YorkerThe New York Times Book ReviewThe Threepenny ReviewThe American ScholarVerse, and in the anthologies The Anchor Essay Annual—Best Essays of 1998 and Best Creative Nonfiction (2008). A former editor at The New Yorker, he is currently the Michele Tolela Myers Professor of Writing at Sarah Lawrence College, where he was for over a decade the director of the college’s nonfiction writing program. He holds a BA from Oberlin College and a MFA from Columbia University and has received grants from the New York Foundation from the Arts, the National Endowment for the Arts, the MacDowell Colony’s Fellowship for Distinguished Poetic Achievement, a fellowship from the Guggenheim Memorial Foundation, and the James Laughlin Award.
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The Mayapple Center cultivates imagination through artistic and intellectual cross-pollination in a distinctly 21st century climate. The Center is dedicated to sustainability and its serene lake and peaceful landscape of trees and gardens serve as a retreat to inspire its residents. Activities such as swimming, tennis, canoeing, yoga and meditation promote a strong sense of community among residents, with an emphasis on mindfulness. Meals are partially prepared from organic produce from Mayapple gardens, and locally-sourced food is served at every meal.
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If interested in applying for the scholarship, please send an email inquiry to michelle.slater@mayapplecenter.org with your CV and writing sample immediately. The program cost is $1,200 and each scholarship is for $600. You can find out more about the program here.

10th Annual Printers’ Ball

This year marks the 10th annual Printers Ball, a day of performances, live printmaking demos, and exhibitions surrounding poetry and literary culture. Founded in 2004 by Poetry magazine’s Art Director Fred Sasaki, Printers’ Ball takes place each year in Chicago and has seen a number of venues spanning across the city. This year, the Ball will be hosted by Spudnik Press Cooperative at the Hubbard Street Lofts, with a central theme of CHATTER, focused on “the energy and chatter of concurrent creative practices.”

Augury Books is honored to be a selected publication at this year’s Ball.

For more information, visit the event website.